David Foster Quotes
When I produce a record, I roll up my sleeves; I'm not one of those passive guys. I really get in there and make sure every note is measured. I tell the bass player, 'You have to play it like this,' or I tell the drummer, 'It's got to be like this.'
Quotes to Explore
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Scores of armed antigovernment groups, some of them far more radical, have formed or been revived during the Obama years, according to law-enforcement agencies and outside watchdogs.
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Talent is very hot.
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If anything, the children of Paris should be giving me even more money for having the privilege of being in the same city as my incredible quality. And so should David Beckham. Call it a Zlaritable donation.
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Many people thought I would never succeed, because I am so Russian. So Russian, hundred percent.
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I started playing badminton when I was probably of eight years and ever since have been playing. I didn't go to university.
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I'm not afraid to be lonely at the top.
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I think the most expensive thing I've bought thus far is my Rolex.
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I don't like books that play to the gallery, but I've become more concerned with telling a story as clearly and engagingly as I can.
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In Hollywood they're getting younger, but believe me, it's not the food. It's the plastic surgery.
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Many faux pas of fashion can be avoided if you curb your instinctive desire to buy things with your heart instead of your head.
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I do not play golf regularly, but I feel that hitting the moving ball in cricket is tougher than hitting a stationary ball as in golf, which requires more concentration and steady hands.
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Close friends consider me a literary snob.
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Every non-Marxist economic theory that treats human and non-human productive inputs as interchangeable assumes that the dehumanisation of human labour is complete. But if it could ever be completed, the result would be the end of capitalism as a system capable of creating and distributing value.
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I love Dr. Hauschka's blue mascara. It's not so blue that it's like, 'What's wrong with you?' It's more like a secret that you're wearing it.
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I always have a million things going on at once, but I try to put my energy into the most immediate need.
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Whether slavery shall go into Nebraska, or other new territories, is not a matter of exclusive concern to the people who may go there. The whole nation is interested that the best use shall be made of these territories. We want them for the homes of free white people.
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I'm a benefit to the city. I'm not a detriment.
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Filming is a witnessing process. You don't try to control it, even though sometimes you wish you could because it can go really, really wrong for you.
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I was learning to track rhinoceroses in Africa and tracked right up on an animal that really I thought was going to kill me.
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I like the way the stories of my relationships sound to music more than the way they look in print, in gossip columns or in me talking about them in interviews. I think it's a better way of telling the stories.
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I wish I had stayed and finished my career here in New York.
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As I write, I control my anxiety and anguish thanks to the invaluable aid of irony and humor. But every night I am subdued by an anxiety that knows no irony, and I must wait until the next day to rediscover the blend of anguish and humor that characterizes my writing and that generates my style.
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When I produce a record, I roll up my sleeves; I'm not one of those passive guys. I really get in there and make sure every note is measured. I tell the bass player, 'You have to play it like this,' or I tell the drummer, 'It's got to be like this.'
