Kristen Wiig Quotes
Quotes to Explore
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The will is commendable though the ability may be wanting.
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In case of doubt, do a little more than you have to.
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Being Human clothing was first launched in France, Belgium and Spain, where the brand's philosophy of look good, do good is connecting with people and not just Salman Khan.
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I'm not a party guy. I don't carouse very much.
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I read people; that's one of my strengths. It's not that I can't be fooled, but I'm not fooled often.
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Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to reality, but not reality itself.
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To the world you may be one person but to one person you may be the world.
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I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
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The decision as to why a show makes it has to do with politics and money.
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You get caught up in hitting home runs and seeing how far you can hit them, and your swing changes.
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The reason that last-ditch political maneuvering has become business as usual in Washington is that the actors involved are drunk on blame and are convinced that the voting public is, too. They count on outrage, thereby spreading numbness. They cherish the prospect of partisan fury, thereby inspiring nonpartisan disgust.
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I think the one that's going to be the hardest to make into a film is the one that's probably going to be made into a film, which is 'The Art of Racing in the Rain.' I mean, it's narrated by a dog. How do you do that? But hopefully we'll get to see.
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Whatever I have done so far has led me to 'Kaabil.' It is a big opportunity for me to establish myself more commercially. It is a huge platform.
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I became fascinated with the concept of speak no, see no, hear no evil. And - and the actual depiction of three wise monkeys. And I began collecting it over the years. And I kind of figured that I might be the - the fourth monkey, the feel no evil monkey.
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Very often there's this misapprehension about actors being people that need to display themselves, to reveal themselves in public.
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We are living in 1937, and our universities, I suggest, are not half-way out of the fifteenth century. We have made hardly any changes in our conception of university organization, education, graduation, for a century - for several centuries.
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I didn't come from the elites. I didn't come from the Northeast or from San Francisco. I came from a southern Ohio steel town, and it's a town that's really struggling in a lot of ways, ways that are indicative of the broader struggles of America's working class.
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A great part of courage is the courage of having done the thing before.
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Happiness inspires productivity.
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We ran like a herd of wild cattle.
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In sailing, I single-hand, and I want to do the Horn. The Horn is the maximum expression of sailing, the way the Iditarod is the maximum expression of running dogs. It's not to write about it; it's to experience the maximum thing.
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I wish I could sit back and say, 'Oh, I'm gonna wait for a Merchant-Ivory film to come my way. Or Ivory-Merchant. Whatever it's called. But you just take what's given and then, hopefully, down the road you can be more choosy and only do, say, Wayans brothers movies. That's my goal: to be more Merchant-Ivory-Wayans.
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I wish I had less fear about creating my own parts.
