Elizabeth Strout Quotes
I grew up on a dirt road in Maine, and pretty much everybody on that dirt road was related to me, and they were old. And so grumpy.
Quotes to Explore
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I was completely naive about the business of being an actor. My family didn't go to the theater or to the movies. We watched television like every 1960s small-town American family, and I certainly never thought about being on TV. I thought I was going to be a classical actor in the grand tradition.
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We do not need to have a way to talk clearly about other people's images.
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I do this thing at every party: I go to a party, I stand around for, like, 45 minutes, and then I turn to my wife and say, 'I think we should go home.' And then we leave, and then I wake up the next morning and say to my wife, 'We don't go out anymore.' It's a great trick.
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In France, successive waves of Gaul, Visigoth, and Frank have swept over the land and have dominated it. But the fair hair and blue eyes and the clear skin of the conquering races have been submerged by the rising and overflow of the dusky blood of the original population.
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What I think I have in common with the school of deconstruction is the mode of negative thinking or negative awareness, in the technical, philosophical sense of the negative, but which comes to me through negative theology.
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I admit that when challenging times first surface, it's not first instinct to do a happy dance. But when you take time to pause and add insight to injury, you will immediately start to feel empowered to make those majorly needed life shifts.
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I almost took a job in Italy. It was really a great opportunity, but they didn't think I had enough international experience.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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I've never been someone who needs a lot of takes or enjoys a lot of takes. I like the fast thing of it.
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Connecting with people is not hard. I love the interaction and the feedback after shows. It does take some time, but the fans appreciate it which makes it worth it.
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I don't feel that I've had a life of abuse or that I am a victim in any way. My life is pretty typical of a lot of Americans of my generation who grew up in the sixties in families like mine that were sort of unconventional.
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I'm hopeful that Israelis can go to Ramallah whenever they want and see how the people are living.
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I don't know why I'm suddenly playing nasty people. It is very fun, though, and it isn't real, at the end of the day.
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I think of myself as a very ordinary person. I like writing about the juxtaposition between people: the beauty of them at times and then the banal, everyday context in which we find ourselves.
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I'm reticent to say much more, but we would like to begin in the coming year. We'd like to shoot through the seasons because of the passage of time. This project is the great love of my life.
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Our country has often stood like a solid rock in the face of common danger, and there is a deep underlying unity which runs like a golden thread through all our seeming diversity.
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A good example of how it must have been is today's world of conducting, which is still utterly dominated by men, and the prejudice the few female conductors have to battle even today is astounding.
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I saw hell. The hospital had divided and conquered pretty successfully.
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I can imagine no more comfortable frame of mind for the conduct of life than a humorous resignation.
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Live a life of grace. You'll be a better person for it, and so will your children.
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I was educated at Bradfield College and Oxford, where I graduated in 1939.
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I've always been uncomfortable, so to speak, when the focus is on me.
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I grew up on a dirt road in Maine, and pretty much everybody on that dirt road was related to me, and they were old. And so grumpy.
