Mark Rylance Quotes
I didn't particularly aim to be a Shakespeare actor, but I suppose I had a certain gift or it; I certainly got offered lots of it. I liked Complicite and Shared Experience and Kick Theatre, and all the small theatre companies that were getting going. I wanted to be like that, making original theatre.
Quotes to Explore
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My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.
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Whatever your image is, it's probably not you, but it affords you the freedom to live up to it.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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This can sound as something naive. But if we are together in this union, it's because we choose to be one in many things. That's what makes the European Union experience so challenging and also a model. Why did we do this choice? Because we see that we share a common interest and common values.
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The wiser you get, the more experience you have, and the more you see people for who they are as human beings, as opposed to figures you have to fight against.
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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This experience has also humbled me by giving me a true understanding of what millions of others face each day in their own fight against cancer.
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What Alexander Graham Bell thought up occupied less space than a flower vase. Now it's so small that I have to search all my pockets to discover I've received a spam text.
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I am a member of the Kiowa Gourd Dance Society; I visit sacred places such as Devil's Tower and the Medicine Wheel. These places are important to me, because they've been made sacred by sacrifice, by the investment of blood and experience and story.
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I believe life is an 'experience ball.' You throw it at someone, it picks up their response... it grows. You play with that ball, learning what it teaches you.
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It's easier to go from theatre to film than the other way round. In film you're absolutely loved and cossetted and cared for. In film your director makes your performance. In theatre you're carrying it all.
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Weight training and working on being explosive helped me gain a few yards of pace. Even when I was small, I was stocky. Even if people pushed me, I managed to stay on my feet.
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Bankruptocracy is as much a European predicament as it is an American 'invention.' The difference between the experience of the two continents is that at least Americans did not have to labour under the enormous design faults of the eurozone.
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Today, the Iraqi citizen sees that America is coming and wants to occupy his country and kill him, and he is willing to experience for himself what happened in Palestine.
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Judgment comes from experience - and experience comes from bad judgment.
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It's such a small industry here you inevitably end up working with the same people over and over again. There are only so many actors to go around, which is good for us.
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Working with great people makes you great; you learn a lot and it also gives you the experience and confidence to move on with your own career.
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You may hang your walls with tapestry insread of whitewash or paper; or you may cover them with mosaic; or have them frescoed by a great painter: all this is not luxury, if it be done for beauty's sake, and not for show: it does not break our golden rule: Have nothing in your houses which you do not know to be useful or believe to be beautiful.
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I did a forward roll for the kids the other day, thinking it'd be a breeze like it was when I was six, and I had to lie flat for about 20 minutes afterwards - 'Leave mummy alone; she's feeling a bit dizzy.'
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Because things are the way they are, things will not stay the way they are.
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The biggest lesson I learned from Vietnam is not to trust our own government statements. I had no idea until then that you could not rely on them.
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I started making Super 8-mm films when I was about six years old and just never stopped. It was always just a hobby, but it's one of the few hobbies that can actually become a career. You know what? I think it was my plan from when I was six that this is what I was going to do.
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I didn't particularly aim to be a Shakespeare actor, but I suppose I had a certain gift or it; I certainly got offered lots of it. I liked Complicite and Shared Experience and Kick Theatre, and all the small theatre companies that were getting going. I wanted to be like that, making original theatre.
