Neill Blomkamp Quotes
I think the reason you use an actor is if they are right for the role. Most of the high-profile stars tend to be good actors. That's probably what led to their fame. So if they are right for the movie, you can certainly use them. But I don't want to, not at all. Stardom and Hollywood overpower the ideas and the film.
Quotes to Explore
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The mind moves in the direction of our currently dominant thoughts.
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There's nothing more interesting than the landscape of the human face.
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I like 'The Nightly Show.' People ask me what it is, and I say, 'If you're watching 'The Daily Show,' and it feels like it's getting a little darker, you're probably watching 'The Nightly Show.''
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I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
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I try to live holistically and avoid conventional medicine.
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When people say to me 'what do you think of rap music?' my answer is there's no such thing. There's rap and there's music.
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My father had very little formal education.
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We shook up the industry with our landscape-changing deal to acquire Time Warner, the logical next step in our strategy to bring together world-class content with best-in-class distribution which will drive innovation and more choice for consumers.
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People know I have a good time on stage. I love my life. I love my job.
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It's become a habit to make films where the father is absent. My father impresses me, but the father figure does not.
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They show that roughly two-thirds of a group of neurotic patients will recover or improve to a marked extent within about two years of the onset of their illness, whether they are treated by means of psychotherapy or not.
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The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
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One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago.
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Maybe if Graziano make another work or another sport I wouldn't have had this passion to be a rider.
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When you put something out there into the world, there's all these words you don't want to hear, that you hope people don't say. I don't like anything that starts with 're' - like retro, reinvent, recreate - I hate that. It's always like living in the past - copying, emulating.
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I have no doubt I was someone very interesting in a past life.
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In the '70s, my playing was completely untutored, but it sounded good to me, and I tried to find ways to make those very simple things work in more ambitious contexts.
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I started singing very early. I was six or seven years old, and I was singing along to TV commercials and figuring out, 'Oh, hey, I can sing in tune. This is really cool.' But the songwriting thing came much much later, when I was 19 years old.
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The international order established at the end of World War II could certainly have been worse. However, this order did contain certain factors which bore within them the seeds of instability.
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I'm just such a good kisser.
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I never know going in if I've even got a movie to make. Once you start making a film, you hope there's going to be enough material! My job as a director is always to push for more.
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And as a mother of three with a full-time job, podcasts gave me the illusion of having a vibrant social life. I was constantly 'meeting' new people. My favorite hosts started to seem like friends: I could detect small shifts in their moods and tell when they were flirting with guests.
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I think the reason you use an actor is if they are right for the role. Most of the high-profile stars tend to be good actors. That's probably what led to their fame. So if they are right for the movie, you can certainly use them. But I don't want to, not at all. Stardom and Hollywood overpower the ideas and the film.
