Kurt Vile Quotes
Quotes to Explore
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The cool thing about my profession is that I can do it until the day I die.
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I wanted to be a director and producer and writer, but in the early '40's the union wouldn't let you get through the gates. You couldn't get on a crew, or even learn to direct.
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There is not a more repulsive spectacle than on old man who will not forsake the world, which has already forsaken him.
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Our minds are like our stomaches; they are whetted by the change of their food, and variety supplies both with fresh appetite.
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Even someone who works with me, like this girl who works with me, her name is Sue. She lives with me and holds the fort; she takes care of all these little things. She takes care of the money situation, and I would not be able to live without someone like that.
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There are lots of reasons for that gap between men's and women's wages but to me, the big one is the work-family issue. Trying to juggle children and a job is tough under any circumstances, but especially if you're shooting for the kind of career that involves long hours at work and being on call 24-7.
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The real ornament of woman is her character, her purity.
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Well, the post office is probably not the place you want to go if you want to be infused with patriotism and a renewed sense of vigor.
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Someone is sitting in the shade today because someone planted a tree a long time ago.
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As writers, we can't predict who might come along who might find our offerings valuable.
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After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world, - a world which yields him no self-consciousness, but only lets him see himself through the revelation of the other world.
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People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.
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When a president speaks, it's to multiple audiences.
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I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting.
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I really like supernatural stories, but, to me, 'Witches of East End' is really grounded. It's not just going for the magic tricks and keeping it superficial and action-y.
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At 15 I auditioned for 42nd Street in Australia. Dein Perry was in that show. I actually got the job but I couldn't do it because I was only 15. Legally I needed to have another 15-year-old to cover consecutive nights.
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I've had experiences where I wasn't allowed to change words around at all because you have to say everything, exactly as written on the page. That's not fun for me. For me, part of being an actor is being able to contribute to a character's rhythms. If there's room to explore, you find a happy medium.
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Each man's destiny is hung like a medallion around his neck.
