Kurt Vile Quotes
Quotes to Explore
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The cool thing about my profession is that I can do it until the day I die.
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I wanted to be a director and producer and writer, but in the early '40's the union wouldn't let you get through the gates. You couldn't get on a crew, or even learn to direct.
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There is not a more repulsive spectacle than on old man who will not forsake the world, which has already forsaken him.
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Our minds are like our stomaches; they are whetted by the change of their food, and variety supplies both with fresh appetite.
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Even someone who works with me, like this girl who works with me, her name is Sue. She lives with me and holds the fort; she takes care of all these little things. She takes care of the money situation, and I would not be able to live without someone like that.
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There are lots of reasons for that gap between men's and women's wages but to me, the big one is the work-family issue. Trying to juggle children and a job is tough under any circumstances, but especially if you're shooting for the kind of career that involves long hours at work and being on call 24-7.
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The real ornament of woman is her character, her purity.
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Well, the post office is probably not the place you want to go if you want to be infused with patriotism and a renewed sense of vigor.
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Someone is sitting in the shade today because someone planted a tree a long time ago.
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As writers, we can't predict who might come along who might find our offerings valuable.
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After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world, - a world which yields him no self-consciousness, but only lets him see himself through the revelation of the other world.
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People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.
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When a president speaks, it's to multiple audiences.
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Authenticity is very important - be true to one's self.
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I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting.
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I really like supernatural stories, but, to me, 'Witches of East End' is really grounded. It's not just going for the magic tricks and keeping it superficial and action-y.
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At 15 I auditioned for 42nd Street in Australia. Dein Perry was in that show. I actually got the job but I couldn't do it because I was only 15. Legally I needed to have another 15-year-old to cover consecutive nights.
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But I love to be outdoors. I prefer being outdoors to, you know, being inside.
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Chasing revenues that don't have good earnings doesn't help us or shareholders one lick.
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Zola has been a friend of mine since our days together at Dallas Theological Seminary, several decades ago. I rejoice that he suffers no more, but grieve for his family.
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The aged love what is practical while impetuous youth longs only for what is dazzling.
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I benefit from a change of scenery; it's always inspiring.
