Marketa Irglova Quotes
If I'm focusing on playing and enjoying the song, then it always goes well. I get lost in the song, and the performance is so much better. If the focus becomes not making a mistake, then it just feels rigid to me.
Quotes to Explore
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I'm uncomfortable with the focus on the poet and not on the poem.
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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There was a film called 'FM,' and we were asked to do the title song. And I said, 'Does it have to have any specific words?' And they said, 'No, it just has to be about FM radio.' It took a day or two to write.
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People should focus on my foundation, my projects, and everything positive and important that I am doing in Latin America and the around the world.
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Marriage is a very good thing, but I think it's a mistake to make a habit out of it.
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When we bemoan the lost golden age of music, it's worth remembering that mainstream radio listeners of the '60s and '70s, particularly in Canada, missed out on an outpouring of brilliant R&B music.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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Maintaining a sense of humor is key to getting people to also focus on the crises at hand.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
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I wrote my first song when I was six or seven, a silly little song. But I used to write poems in high school - not songs.
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I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
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I have lost the freedom of not having an opinion.
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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I had just lost my dad and I remembered all the songs we used to go and hear at concerts, and the records around the house and sometimes we'd play together.
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If you so choose, every mistake can lead to greater understanding and effectiveness. If you so choose, every frustration can help you to be more patient and more persistent.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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Pot is great for the abstract, for when you don't have to be regimented and for when you don't need parameters. When you're creating a song, there should never be any parameters, so being high is okay because your mind can wander all over the place.
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He was dead again when I got home that day. His corpse was in the kitchen, near the counter, where it appeared he'd been chopping vegetables when the urge to stab himself through the wrist had struck. I slipped on the blood coming in, which annoyed me because that meant it was all over the kitchen floor.
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Lucifer represents life, though, progress, civilization, liberty, independence. Lucifer is the Logos, the Serpent, the Savior.
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If I'm focusing on playing and enjoying the song, then it always goes well. I get lost in the song, and the performance is so much better. If the focus becomes not making a mistake, then it just feels rigid to me.
