David Lowery Quotes
I made 'St. Nick' on a 30-page outline. 'Aint' Them Bodies Saints' was a full-bodied script, but it still had a lot of room for improvisation. There were scenes that weren't there on the page - just a sentence saying something happens. I was like, 'We'll figure this out when we shoot it.'

Quotes to Explore
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I'm extremely fascinated by marriage. I want to study marriage. I want to learn about it. I want to know it. I want to figure out whether or not I want to do it. I'm not just going to leap into it, because that's not good for anybody.
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Once you come and see Kiss, you either love us or you hate us.
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The whole point of Superman, as originally created, was to be the ally of those who had no other allies. It put that magnitude of power, the most powerful guy in the world, in the service of those who had no hope, no chance.
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I'm in love with music, and I'm pregnant by it. It's like having twins. Or triplets. Or eight-lets!
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We must take positions. Our weakness in the West is born of the fact of so-called 'objectivity.' Objectivity does not exist - it cannot exist!... The word is a hypocrisy which is sustained by the lie that the truth stays in the middle. No, sir: Sometimes truth stays on one side only.
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I have seen the future, and it is much like the present, only longer.
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Some people have a misunderstanding about the Army. Some people think, 'Hey, you're in the military, and everything is super-hierarchical, and you're in an environment that is intolerable of criticism, and people don't want frank assessments.' I think the opposite is the case.
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Virtual reality is inevitably going to become mainstream - it's only a question of how good it needs to be before the mainstream is willing to use it.
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I really love peace and quiet.
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I'm not going to jump out of airplanes or anything like someone else I know.
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Today, in American imperialism, the commodity has reached its most grandiose historical manifestation.
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A big blockbuster like 'Kick' expands the audience for my films and makes it easier to promote them.
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I have a very specific memory of watching 'Singing in the Rain,' and looking at myself in the mirror after watching it and perceiving myself as one of those people that I was just watching on T.V. It was just kind of a knowing that this would be the world that I would enter into. And that's what I did.
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Life is given to us, we earn it by giving it.
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I love fashion. I always have. When I was a kid, I was in almost full-on costumes when I went to school, and I've retained a bit of that in my adulthood.
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I honestly wondered how on earth I would manage to combine work and motherhood.
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Someone who can write aphorisms should not fritter away his time in essays.
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All my writing, I always do it in the studio, 'cause everything sounds good. The piano's there, the keyboards; if you want to put strings on something... And everything sounds good when it's in the cans; it sounds killer.
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There's no sense in doing something, especially if it's a hard job, if you can't have a little fun.
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When I first walked into 54 Below, I had this kind of deja vu experience and tried to imagine what this was like back in the day when I would come here at night after doing 'A Chorus Line.'
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Perhaps no American family-with the possible exception of the Adams family-has had a more vivid and powerful impact on the life of their times. But the Kennedy tale-the spiral compound of glory, achievement, degradation and almost mythical tragedy-exerts a fascination upon us that goes beyond their public achievements.
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'My Night at Maud's,' 'Claire's Knee,' 'Chloe in the Afternoon' are grafted onto my life.
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I made 'St. Nick' on a 30-page outline. 'Aint' Them Bodies Saints' was a full-bodied script, but it still had a lot of room for improvisation. There were scenes that weren't there on the page - just a sentence saying something happens. I was like, 'We'll figure this out when we shoot it.'