David Lowery Quotes
I made 'St. Nick' on a 30-page outline. 'Aint' Them Bodies Saints' was a full-bodied script, but it still had a lot of room for improvisation. There were scenes that weren't there on the page - just a sentence saying something happens. I was like, 'We'll figure this out when we shoot it.'
Quotes to Explore
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I'm extremely fascinated by marriage. I want to study marriage. I want to learn about it. I want to know it. I want to figure out whether or not I want to do it. I'm not just going to leap into it, because that's not good for anybody.
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Once you come and see Kiss, you either love us or you hate us.
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The whole point of Superman, as originally created, was to be the ally of those who had no other allies. It put that magnitude of power, the most powerful guy in the world, in the service of those who had no hope, no chance.
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We must take positions. Our weakness in the West is born of the fact of so-called 'objectivity.' Objectivity does not exist - it cannot exist!... The word is a hypocrisy which is sustained by the lie that the truth stays in the middle. No, sir: Sometimes truth stays on one side only.
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I have seen the future, and it is much like the present, only longer.
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Some people have a misunderstanding about the Army. Some people think, 'Hey, you're in the military, and everything is super-hierarchical, and you're in an environment that is intolerable of criticism, and people don't want frank assessments.' I think the opposite is the case.
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Virtual reality is inevitably going to become mainstream - it's only a question of how good it needs to be before the mainstream is willing to use it.
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I'm not going to jump out of airplanes or anything like someone else I know.
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Today, in American imperialism, the commodity has reached its most grandiose historical manifestation.
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A big blockbuster like 'Kick' expands the audience for my films and makes it easier to promote them.
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I have a very specific memory of watching 'Singing in the Rain,' and looking at myself in the mirror after watching it and perceiving myself as one of those people that I was just watching on T.V. It was just kind of a knowing that this would be the world that I would enter into. And that's what I did.
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Life is given to us, we earn it by giving it.
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I love fashion. I always have. When I was a kid, I was in almost full-on costumes when I went to school, and I've retained a bit of that in my adulthood.
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I honestly wondered how on earth I would manage to combine work and motherhood.
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All my writing, I always do it in the studio, 'cause everything sounds good. The piano's there, the keyboards; if you want to put strings on something... And everything sounds good when it's in the cans; it sounds killer.
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The big difference with Juliette and the others in that film is that she goes beyond acting.
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Ghost! I miss him! Is that weird? I miss him even though I invented him. I feel a lot of tenderness toward him. I don't write a lot of stuff that is sad or that is tender and affectionate, so that has a very special place in my heart.
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L.A. is so fake - girls there are so superficial.
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Being in the space that I am as a writer, and just as a black dude in America, there's this push to be cool or be what you're expected to be. There's a need for a song that puts that in perspective. I think that's an important thing for young children to hear growing up.
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I know I don't own Big Bird, but I own his soul, I feel.
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I love the urgency of what we do. I like the battles that take place, the jousting.
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I made 'St. Nick' on a 30-page outline. 'Aint' Them Bodies Saints' was a full-bodied script, but it still had a lot of room for improvisation. There were scenes that weren't there on the page - just a sentence saying something happens. I was like, 'We'll figure this out when we shoot it.'
