Ellen Johnson Sirleaf Quotes
The size of your dreams must always exceed your current capacity to achieve them. If your dreams do not scare you, they are not big enough.
Quotes to Explore
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The correlation of quality of life and cost of energy is huge.
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I have my problems with 'Singles'. To me, 'Singles' is the least successful of the movies I've been lucky enough to make.
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I managed to slip two children out in the middle of my career and have been lucky with all the work.
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I wanted to identify that the black experience is American experience.
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There's a way in which you can look at clothing as your outer skin. And because you were discriminated against because of your complexion, the way in which you could overcome that was through the way in which you presented yourself with your clothing.
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I would be very happy doing movies. I love to work and I think I'm a little different.
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When we read fiction, we want to get outside of ourselves and are able to see from a perspective we haven't seen through before. That can be very powerful.
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I used to trip over my legs and get detention for my too-short shorts because none fit. I still trip, but now I like to show them off.
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Studies show that children of divorced parents can have outcomes as positive as those coming from intact homes, provided the father remains financially supportive and active in his children's lives.
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If you're a writer, write. You just keep writing. And if you're a filmmaker, you keep doing what you can to keep telling your stories; you don't stay on the one. Keep moving forward and doing what you can to tell whatever story you can tell, be it via writing, be it via filming it.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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It gets pretty boring when all you are is the support system for a male character.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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My role models were always the Pacinos and the Oldmans, the guys who get dirty with their characters, and I arrived in L.A. during the big boom of 'Dawson's Creek.' I was getting cast as the boy next door, or the friend of the jock. I thought, 'Did I really have to do all that studying?'
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I was raised by very traditional Southern parents with Southern manners. You don't air your dirty laundry to people that aren't your family or your friends. Why would I ever want to portray myself as anything other than together?
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The stakes are high on every film now because there's the opening weekend. The first week is extremely crucial; increasingly, films are being judged in terms of opening day, opening weekend, then first week. People are going berserk promoting their films.
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I love the crowds at festivals because they're so chilled out.
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I don't know why, but I respond well to tortured characters.
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I try to get up every day.
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When people blanket a whole class of people with statements, I just think that is unfair to everybody. I could do the same thing about media. I can do the same thing about politicians or lawyers, and they're just never accurate.
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Sometimes playing with a click isn’t going to achieve what this band needs.
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And in vain does the dreamer rummage about in his old dreams, raking them over as though they were a heap of cinders, looking into these cinders for some spark, however tiny, to fan it into a flame so as to warm his chilled blood by it and revive in it all that he held so dear before, all that touched his heart, that made his blood course through his veins, that drew tears from his eyes, and that so splendidly deceived him!
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Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.
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The size of your dreams must always exceed your current capacity to achieve them. If your dreams do not scare you, they are not big enough.
