Yves Chauvin Quotes
My grandmother was fond of painting and playing the piano. She had been given lessons by Emmanuel Chabrier, who used to spend the summer months in nearby Membrolle.
Quotes to Explore
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I do Athlete Devotion throughout all my fight camps. I am a Christian, so I fight with God first, and I have my devotions with me everywhere I go.
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Live TV has an amazing pace to it. You've got to be able to think quick, make changes last minute, and be funny and fast.
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When 'Mulholland Dr.' was voted the Best Film of the Decade, that was very meaningful for me. That film opened up incredible doors for me, and I believe that that was the reason I was given opportunities to play all kinds of characters.
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I can tell you I'm not exactly sure why I teach. I think a lot of it is just it's the sense of community. A real desire to be involved both with people older than myself and people younger.
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My weekends are oases of time and space, where I am able to draw a breath and dive into the stuff I couldn't get to that week - the great article I bookmarked, the friend whose emails I kept dropping, the blog post I'd meant to write on a subject that wasn't timely but was still important.
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There are times I think it might be nice to have deep-pocketed limited partners to provide me with some cushion. But I enjoy having no responsibilities except to myself, financially.
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Art is subjective. I'm not looking for people's praise.
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The three theater peeps I would love to dine with are Mel Brooks, because he is so funny; Stephen Sondheim, because he is a god-like genius; and Ethel Merman, to compare notes on fabulous belting.
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A lot happens in 20 years.
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An artist is attracted to certain kinds of form without knowing why. You adopt a position intuitively; only later do you attempt to rationalize or even justify it.
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I don't study cricket too much. Whatever I have learned or experienced is through cricket I've played on the field, and whatever little I have watched.
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It's so great in Hollywood now. You have people past 40 sitting and talking about serious stuff, writing and making movies and TV, but there's laser pistols and superheroes and alien monsters involved. It's viable and mainstream.
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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Only people who have been allowed to practise freedom can have the grown-up look in their eyes.
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No civilization other than that which is Christian, is worth seeking or possessing.
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I always have the impression that I write the same book.
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I'm inspired every time I see a role I'd like to play, an actor turn in a well crafted performance, a story I'd like to tell, direct or produce.
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I followed my instincts; I followed my intuition, and it paid off.
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I was a pioneer in MTV and I was there from the very beginning. So I saw how that developed and how loose it was and how much fun it was in its looseness. And I was influenced a lot by that.
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Your problem is your role models were models.
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The publication of the third volume of Capital has made hardly any impression upon bourgeois economic science.
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You've always got to have an imagination in the game we're in but it explodes on this. You get to try the costumes on before you start and feel the weight of them, which is great. But then you're opposite some of the greatest actors in the world and away you go. You find your imagination takes over without you really even thinking about it.
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I got really excited about finding new ways of using video, and the immediacy is different, in a way, than painting and photography. The creativity comes with the editing. You can layer and cut and paste. I really love that it's like another form of making my smaller collages but in video form.
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My grandmother was fond of painting and playing the piano. She had been given lessons by Emmanuel Chabrier, who used to spend the summer months in nearby Membrolle.
