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With TV, came the icon, the inclusive image, the inclusive political posture or stance. (p. 191)
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I don't explain-I explore.
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The TV generation is postliterate and retribalized. It seeks by violence to scrub the old private image and to merge in a new tribal identity, like any corporate executive. (p. 201)
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Print altered not only the spelling and grammar but the accentuation and inflection of languages, and made 'bad grammar' possible. (p. 263)
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Literacy remains even now the base and model of all programs of industrial mechanization; but, at the same time, locks the minds and senses of its users in the mechanical and fragmentary matrix that is so necessary to the maintenance of mechanized society.
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Until now a culture has been a mechanical fate for societies, the automatic interiorization of their own technologies. (p. 86)
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Each tetrad gives the etymology of its subject, as an uttering or outering of the body physical or mental, and provides its anatomy in fourfold exegetical manner.
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The increase of visual stress among the Greeks alienated them from the primitive art that the electronic age now reinvents after interiorizing the 'unified field' of electric all-at-onceness. (p. 72)
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The 'interface' of the Renaissance was the meeting of medieval pluralism and modern homogeneity and mechanism – a formula for blitz and metamorphosis. (p. 161)
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Tactility is the space of the interval; acoustic space is spherical and resonant.
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When you move into a new area, a new territory and learn a new language, the language is not a new subject, it is an environment, it is total. (p. 105)
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The uniformity and repeatability of print created the 'political arithmetic' of the seventeenth century and the 'hedonistic calculus' of the eighteenth. (p. 237)
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Money is a poor man's credit card.
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Until writing was invented, man lived in acoustic space: boundless, directionless, horizonless, in the dark of the mind, in the world of emotion, by primordial intuition, terror. Speech is a social chart of this bog. (p. 48)
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America is 100% 18th Century. The 18th century had chucked out the principle of metaphor and analogy - the basic fact that as A is to B so is C to D. AB:CD. It can see AB relations. But relations in four terms are still verboten. This amounts to deep occultation of nearly all human thought for the USA.
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Electric circuitry profoundly involves men with one another. Information pours upon us, instantaneously and continuously.
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Newton, and 'proper scientific method' after him, conducted attention to 'continuous description' of experimental phenomena instead of to causes.
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The alphabet, when pushed to a high degree of abstract visual intensity, became typography. The printed word with its specialist intensity burst the bonds of medieval corporate guilds and monasteries, created extreme individualist patterns of enterprise and monopoly. (p. 23)
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The visual power of the phonetic alphabet is the translate other languages into itself is part of its power to invade right hemisphere (oral) cultures.
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In an age of multiple and massive innovations, obsolescence becomes the major obsession.
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Without an understanding of causality there can be no theory of communication. What passes as information theory today is not communication at all, but merely transportation. (p. 362)
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Visual space is the space of detachment. Audile-tactile space is the space of involvement. (p. 194)
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Only a fraction of the history of literacy has been typographic. (p. 84)
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Invention is the mother of all necessities.