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The great sixteenth century divorce between art and science came with accelerated calculators. (p. 205)
Marshall McLuhan
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The visual power of the phonetic alphabet is the translate other languages into itself is part of its power to invade right hemisphere (oral) cultures.
Marshall McLuhan
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Until writing was invented, man lived in acoustic space: boundless, directionless, horizonless, in the dark of the mind, in the world of emotion, by primordial intuition, terror. Speech is a social chart of this bog. (p. 48)
Marshall McLuhan
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Language alone includes all the senses in interplay at all times. (p. 253)
Marshall McLuhan
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Visual space is the space of detachment. Audile-tactile space is the space of involvement. (p. 194)
Marshall McLuhan
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The magic of the cave image lies in its being, not in its being seen. The symbolic does not refer. It is. (p. 350)
Marshall McLuhan
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Each tetrad gives the etymology of its subject, as an uttering or outering of the body physical or mental, and provides its anatomy in fourfold exegetical manner.
Marshall McLuhan
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All words, in every language, are metaphors.
Marshall McLuhan
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Every mode of technology is a reflex of our most intimate psychological experience. (p. 171)
Marshall McLuhan
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Tactility is the space of the interval; acoustic space is spherical and resonant.
Marshall McLuhan
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Human perception is literally incarnation.
Marshall McLuhan
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The uniformity and repeatability of print created the 'political arithmetic' of the seventeenth century and the 'hedonistic calculus' of the eighteenth. (p. 237)
Marshall McLuhan
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New technological environments are commonly cast in the molds of the preceding technology out of the sheer unawareness of their designers. (p. 47)
Marshall McLuhan
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Relativity theory forced the abandonment, in principle, of absolute space and absolute time.
Marshall McLuhan
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Far more thought and care go into the composition of any prominent ad in a newspaper or magazine than go into the writing of their features and editorials.
Marshall McLuhan
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At electric speed, all forms are pushed to the limits of their potential.
Marshall McLuhan
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Media are means of extending and enlarging our organic sense lives into our environment.
Marshall McLuhan
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It is always the psychic and social grounds, brought into play by each medium or technology, that readjust the balance of the hemispheres and of human sensibilities into equilibrium with those grounds.
Marshall McLuhan
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Manuscript culture is conversational if only because the writer and his audience are physically related by the form of publication as performance. (p. 96)
Marshall McLuhan
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Money is a corporate image depending on society for its institutional status. (p. 133)
Marshall McLuhan
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The audience, as ground, shapes and controls the work of art.
Marshall McLuhan
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Print, in turning the vernaculars into mass media, or closed systems, created the uniform, centralizing forces of modern nationalism. (p. 226)
Marshall McLuhan
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Good taste is the first refuge of the non-creative. It is the last-ditch stand of the artist.
Marshall McLuhan
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Poetry and the arts can’t exist in America. Mere exposure to the arts does nothing for a mentality which is incorrigibly dialectical. The vital tensions and nutritive action of ideogram remain inaccessible to this state of mind.
Marshall McLuhan
