Marshall McLuhan Quotes
The alphabet, when pushed to a high degree of abstract visual intensity, became typography. The printed word with its specialist intensity burst the bonds of medieval corporate guilds and monasteries, created extreme individualist patterns of enterprise and monopoly. (p. 23)
Quotes to Explore
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There's nothing more interesting than the landscape of the human face.
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Good comedy is ageless.
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The words printed here are concepts. You must go through the experiences.
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We always see abhorrent behavior and say why, but then we get mad when somebody tries to answer.
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I'm extremely determined and ambitious.
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Every so often when I'm writing, a character might actually be a distinct person in my head - often not an actor or a face, literally a person who just seems to exist in my imagination. Then the challenge is finding somebody who is close enough to that to make me feel like I've ended up where I wanted to be.
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Like most ghetto kids I knew it was important to be 'somebody' so I became a good soccer player, because excelling at a sport seemed to make you special.
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Whenever a film allows you to think and feel and take it beyond the moment, I think it's achieved something. And 'Funny Games' does that.
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Eros will have naked bodies; Friendship naked personalities.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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It's hard to find a play that's right for me to do. Rather than waiting around for the right script to come along, I decided to write one myself.
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I had to create some good work habits and attitude.
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Teach For America would not be able to continue recruiting and developing an ever-more diverse and impactful group of corps members and alumni if the nation's leading colleges become even less diverse.
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The bad reviews get to me, believe me.
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Football has an important role to play in society. Players should have a sense of social responsibility, have a moral dimension to them which shows up in good conduct.
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I'm not Mr. Mom, but there's just certain things I won't say anymore.
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College ain't so much where you been as how you talk when you get back.
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The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
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My first and only experience in baseball, the coach signed me up; he didn't tell me there's a thing called the curveball. I didn't know that. So the ball's coming at me and I start backing out, and then it broke inside. And the umpire says, 'Strike one!' And I'm saying, 'How is that a strike? It almost hit me!'
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I think everybody has a bent, and the key is to follow that bent. So much human wastage comes from people who are doing things with their lives that they really aren't happy with.
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I see a New York that is once again the empire state.
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Driving is a spectacular form of amnesia. Everything is to be discovered, everything to be obliterated.
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The older I get, the more of a recluse I turn into. I love the social aspect of my work. It's like a commune and gets very intense and very sociable. Then when I am not working, I shut myself away, so I can see myself living up a mountain.
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The alphabet, when pushed to a high degree of abstract visual intensity, became typography. The printed word with its specialist intensity burst the bonds of medieval corporate guilds and monasteries, created extreme individualist patterns of enterprise and monopoly. (p. 23)
