Martha Gellhorn Quotes
Gradually I came to realize that people will more readily swallow lies than truth, as if the taste of lies was homey, appetizing: a habit.
Quotes to Explore
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I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art.
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I am a very reclusive, private person.
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My feeling is, I do a lot of low-budget films. I don't do low-budget acting. I have no interest in just goofballing my way through, thinking, 'Ah, no one's ever going to see this anyway.'
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In thinking about it, the villains often have a little bit more range because their morality is different. You can have just a really good time as an actor, and there is just more there that you can explore on that side of the story.
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The idea of revenge coming from a 14-year-old girl isn't, you know, exactly right.
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Usually I trundle about in trainers and baggy jeans, looking about as attractive as a potato.
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I don't have a great instrument. I don't have the kind of ungodly control over my voice and body that great actors have. And I've worked with enough great actors to know that I'm not one.
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I think the audience keeps it fresh for me. You just never know – every audience has its own personality.
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If I had a gun to my head and I had to choose between theater and film I'd choose theater.
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There is nothing, really, that I wouldn't write about, and I do write about a lot of grim things.
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We make a ladder for ourselves of our vices, if we trample those same vices underfoot.
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Some artists are working to buy the mansion or whatever the element of fame must bear, but I spend all my money on my show.
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I think it's a fundamental responsibility of the federal government to enforce our nation's borders.
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I saw this thing years ago, where somebody filled a gymnasium with ping-pong balls and mousetraps. And then somebody threw just one more ping-pong ball in there, and literally, in five seconds, the room was popping. And then it was dead. And that's how it was with 'Dallas.' Just... 'boom!'
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Women's stories have been neglected for so long - unless they were queens. Exploring the history of women is a way of redressing that imbalance.
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In fact I was slightly badly behaved at school and got in trouble. I would get a bee in my bonnet about something I thought wasn't right, and I would ape about too, to make everybody laugh. That was my way through my girls' school, because I wasn't very academic.
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There were only ever two black kids at my school. I never considered myself to be 'a black kid'. I was who I was. Which isn't to say things haven't happened to me that wouldn't have happened if I wasn't black.
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It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
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Honestly, I'm willing to experiment with far more variety in roles than I'm given. But ultimately, it's the producer's decision. But, I've done a variety of roles - the evil don, the evil husband... I've done villainous roles, supporting roles, etc.
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Pavarotti's is the best male voice, and Joan Sutherland had a big voice but also acquired great coloratura notes.
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Having women work with men is like having a grizzly bear work with salmon . . . dipped in honey.
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We never love someone. We just love the idea we have of someone. It's a concept of ours - summing up, ourselves - that we love.
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An animal takes freely anything that it wishes: it commits no sin and is not held responsible for its action because it knows no better. But as soon as the idea of 'mine' and 'thine' has been imprinted upon our consciousness, then also the responsibility comes.
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Gradually I came to realize that people will more readily swallow lies than truth, as if the taste of lies was homey, appetizing: a habit.
