David Slade Quotes
As a director, you have to go in with a really, really, really clear picture of what you want.
Quotes to Explore
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Through our great good fortune, in our youth our hearts were touched with fire. It was given to us to learn at the outset that life is a profound and passionate thing.
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There are different reasons to make movies.
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There are some forms of religion that are bad, just as there's bad cooking or bad art or bad sex, you have bad religion too.
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My 93-year-old grandma is a beautiful example of healthy living. She laughs a lot and always says, 'Just be yourself!' She also eats dessert every single day.
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I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
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From the spinners, Anil and I have been together for a long time and I respect him a lot.
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I don't want to know movie directors. I don't want to be close to them. I don't want to interfere with their work. I don't want them to interfere with mine.
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Writing a book for me, I expect, is very similar to the experience of reading the book for my readers.
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It is time that we provide clarity for our seniors, informing them of the services available that will lower the costs of their prescription drugs and strengthen the overall integrity of the Medicare entitlement.
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You know, one of the things I like about this world, or at least I like about the way we're presenting this world, is these issues are terribly complicated - not nearly as black and white as we're led to believe.
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It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.
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You can stroke people with words.
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Actors go inside the heads of other people and are not afraid of the complicated places you can find yourself.
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The past is the beginning of the beginning and all that is and has been is but the twilight of the dawn.
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Saudi had been a very restricted place. Even on the magazines there, if there was a little leg or cleavage showing, they used to blacken it with a black mark. Me and Ishmeet, so many times, had tried to remove the black portion with our spit, but of course, it would never come out.
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In skating over thin ice our safety is in our speed.
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I grew up with the idea of the cyborg and the robot, but at the same time I felt this intense disconnection between the things I was engaged with and inspired by in terms of fun and play. It seemed like paintings and drawings were so static.
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I'm klutzy, and I don't embarrass easily.
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Infatuation is one of those slightly comic illnesses which are at once so undignified and so painful that a nice-minded world does its best to ignore their existence altogether, referring to them only under provocation and then with apology, but, like its more material brother, this boil on the neck of the spirit can hardly be forgotten either by the sufferer or anyone else in his vicinity. The malady is ludicrous, sad, excruciating and, above all, instantly diagnosable.
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No day passes without a Democratic politician, a left-wing commentator, or, if I may be excused a redundancy, a left-wing academic labeling Republicans and conservatives racist.
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Work done illegally outdoors or without permission feels like pure freedom to me. I understand how it can upset many in our society, but in the bigger picture, it is ultimately about freedom. We are living in a time where public space has become a commodity for corporations to control and dictate what is seen and heard.
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Completely true to nature!' - what a lie: / How could nature ever be constrained into a picture? / The smallest bit of nature is infinite! / And so he paints what he likes about it. / And what does he like? He likes what he can paint!
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At the Third Wave Foundation, we were asking questions like, "How can we get more voters registered who support our issues?" or "How do we want to give away of money so that it has the greatest impact?" But, the poems were involved in questions of feeling whole, negotiating sexual trauma, and speaking to what has been lost forever. I've always been a person who feels most energized when I am both creating art and working toward social change, but I often have difficulty talking about the two in the same breath.
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As a director, you have to go in with a really, really, really clear picture of what you want.
