Vanessa Mae Quotes
Quotes to Explore
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I know what to do and I go and execute.
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I joined a radical group at the age of 16 because I'm a passionate man; the good news is that I turned myself around since then. But my character is still quite free and passionate.
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I listen to Helmet - and I love Helmet, they're a great band - but every song sounds the same.
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I've never gotten thick skin. If you close yourself off and you get this protective armor, there is a price you pay with that - of not feeling. And feeling is important when you are a songwriter.
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I literally was saved by a role, from becoming a cab driver. I never did have to wait tables, though, so looking back I guess I had it pretty soft.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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A man will turn over half a library to make one book.
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I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
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Though politics is by nature divisive, surely we all can agree that foster children need stability, safety, education, opportunity - and love.
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I am such a do-goody, people-pleasing kid - or I was - I don't think I've ever been fired, not even from an ice cream shop, magician for kids' parties, not even in my early jobs in radio.
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One cannot be too careful in the selection of adjectives for descriptions. Words or compounds which describe precisely, and which convey exactly the right suggestions to the mind of the reader, are essential.
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From each according to his abilities, to each according to his needs.
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When you're a war correspondent, the reader is for you because the reader is saying, 'Gee, I wouldn't want to be doing that.' They're on your side.
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You are the only you. That means you don't lose roles to anybody else. There's no competition, so they either want you or they don't want you, and it's not that they wanted someone else over you.
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You don't go out and play Beethoven's 'Opus 111' without having rethought about it every time you play.
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Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept. I had to explain to him that it was a comedy.
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I really loved living in the White House, but I don't miss it at all.
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I want to make dubstep something beautiful.
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All we ever intended for him or expected of him was that he should continue to make people everywhere chuckle with him and at him. We didn't burden him with any social symbolism, we made him no mouthpiece for frustrations or harsh satire. Mickey was simply a little personality assigned to the purposes of laughter.
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The '60s in London obviously brought about the explosion of music, the 'Beatles' especially, and then the 'Rolling Stones' and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our 'nouvelle vague' in Britain, films that talk about real life.
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The press always causes a certain amount of hesitance for people who are considering entering public life. So simply encouraging women to enter politics, on any level, not just on the state level, is extremely important.
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Music is about the performance.
