Martha Wells Quotes
Doing a movie of one of the Raksura books would involve a lot of CGI, but I have thought about who I'd like to play the characters. Some of them I just can't pin down to a specific actor, and I keep revising my mental list.
Quotes to Explore
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I'm the worst at picking what movies are going to do well. I have no idea. I'm really surprised if a movie I like does well.
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I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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If you're passionate about your work, it makes the people around you want to be involved too.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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I'm a professional fighter and like most professional fighters I have had difficulties with my hands in the past.
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A lot of people don't know that I had a special appearance in 'Keratam'; that was my first Telugu film. I only shot for four to five days. When they called me, I said, 'I can't give 60 days for a movie. If you have something for one week or 10 days, then I can accommodate.'
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Once you've been really bad in a movie, there's a certain kind of fearlessness you develop.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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I'm really proud of 'Oceans 12.' Of course, you do an 'Oceans' movie, you get known all over the world. It's an incredibly powerful medium: It's a Hollywood-identified blockbuster.
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That's the joy of making a movie: watching all the elements come together.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
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Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.
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I read the script for 'Somnia' when I was filming 'Oculus,' and I remember calling my manager going, 'I really need to do this movie,' and he's like, 'How about you finish this one first and then you see it?' I was like, 'I don't need to. I don't need to. You need to read this. I need to do this movie. The script is very good.'
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I did a whole lot of work before taking up my first movie. From TV commercials to Telugu films, I learnt a lot from them all.
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Dylan, myself and my father were in a two hour movie called The Sand Kings, which started off the Outer Limits series. It was sort of the two hour pilot movie.
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When you make a movie independently, you raise the money beforehand, and then you make the movie kind of by yourself.
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When I shoot I'll take my family with me - one movie a year and then the rest of the time at home.
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Every movie that I've done, they don't stand independently from one another because a little bit of me is in every single one of those, and it's part of my own personal growth.
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When I'm doing a drama, I wish I was doing something funny. When I'm doing something funny, I wish I was doing something more serious. I think it's just human nature.
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We're all players and musicians and we sure all get along good. We just clicked right off the bat. We started playing and then we almost immediately started recording.
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For the Americans, it is not attractive to hear what the similarities are between them and the Iranian people. It is attractive to hear how different the Iranians are.
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Doing a movie of one of the Raksura books would involve a lot of CGI, but I have thought about who I'd like to play the characters. Some of them I just can't pin down to a specific actor, and I keep revising my mental list.
