Elsa Schiaparelli Quotes
Quotes to Explore
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It's interesting that one of the definitions of the word 'human' is 'sympathetic.' More and more people are beginning to show that they understand why that is important.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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I think 4 percent growth is a good goal. And I think the fact that we have become used to an economy that sort of putt putts along between 1 and 2 percent is sort of tragic.
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I think coming to work and being absurd and neurotic and thoughtful at the same time is far more interesting.
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I want to live in a country that is not just a place but also an idea, and Jerusalem is the heart of the idea. There may be practical considerations, but a country cannot exist without an ethos, and Jerusalem is an ethos.
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One of the most important tools we have at the Small Business Administration (SBA) to reach high growth entrepreneurs is the Small Business Investment Company (SBIC) program.
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I see the city as an organism, shaped through time by the little humans having habits and doing millions of stuff in and out of it.
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I am trying my best to strike a balance. How many hours a day can I work? I work for 12-15 hours a day; it gets very strenuous. I balance between Telugu, Tamil, and Hindi.
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Democracy presumes that we're all created equal; competition proves we are not, or else every race would end in a tie.
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No, I got my web site going and said I have the record out. People were just falling on the floor - they couldn't believe it - after all that time. You know, it wasn't a compilation, it was new songs.
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I never got good at predicting what millions of people will suddenly decide is rational.
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I believe in forgiveness.
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We try to guide with a light touch. Sometimes we can be helpful, and my goal with my team, both on the series side and on the film side, is that the collaboration should always be invited. In other words, we're not looking to impose our view on the filmmaker; we hire a storyteller because we love the story, and we love their ability to tell it.
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I went to boarding school, and what that teaches you is to cope emotionally at a young age and to suppress a lot of emotion. Being in the army is, in a way, similar.
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During my adolescence, our family dwelt in rural Alaska. We were dirt poor, Depression-era poor. Tarpaper shack and kerosene lamps. In those days I read because that's all I had. I wrote because that's all I had.
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I am just an actor, but there are these other people who are really selfless. I come from a long line of nurses in my family, and they really do a thankless job.
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After the first exams, I switched to the Faculty of Philosophy and studied Zoology in Munich and Vienna.
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It doesn't really feel like it's got anything to do with me. I mean, I know I wrote it, and all that and invented the characters and made it up, but it's Mike's film, so doing the press and stuff, it feels a little bit inauthentic. I was just one component of it.
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I'm a very proud person.
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The cooperation of NASCAR - or any other system, it turns out - persists only when everyone believes he has the opportunity to win.
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I had always intended to make a living out of playing blues. But I never admitted it to myself. I don't suppose I could have given a logical reason for it ever becoming possible to do so.
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I have Graham Greene's telephone number, but I wouldn't dream of using it. I don't seek out writers because we all want to be alone.
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I've written songs before, and I don't want to share them with anybody. It's really personal for me, that sort of creative outlet where you put your emotions to paper or put to song. I don't do it that much anymore, but to let someone in on that outlet and to have it susceptible to judgment is scary.
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Pearls, including cheap ones, are always in good taste.
