Emil Cioran Quotes
Everyone is mistaken, everyone lives in illusion. At best, we can admit a scale of fictions, a hierarchy of unrealities, giving preference to one rather than to another; but to choose, no, definitely not that...
Quotes to Explore
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Just be patient. Let the game come to you. Don't rush. Be quick, but don't hurry.
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Wearing nice lingerie makes me feel really glamorous. I love to splurge on that.
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The decathlon includes ten separate events and they all matter. You can't work on just one of them.
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My dad played guitar, and he taught me enough to play some Beatles' songs. But primarily, I was a bookworm. I loved reading and still do. My whole family does. It was part of the family culture. Accomplished literacy was a value.
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My advice to anybody, including myself, is if you're going through a bad period, and you just can't see the world's on your shoulders and no day is a good day, you're missing the whole point of the experience. And that's something dogs know from the moment they come bounding up to you as a puppy.
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I got into beards right in the middle of the hipster boom.
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No one would feel embarrassed about seeking help for a child if they broke their arm - and we really should be equally ready to support a child coping with emotional difficulties.
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If I can just be thought of as Omari Hardwick who had a really, really solid career, and whose work is appreciated in its own right, I think that would be a great legacy to leave behind.
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I've always dreamed of having an album. The problem is that it's just very difficult to make an album nowadays because through technology, music shifts so fast, especially electronic music. Once you make five songs, the first one you did is already old and you wished you would have put it out right away. So that's kind of the difficult part.
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When you're young and queer and closeted, you can end up in this place where you regard your straight peers as the enemy.
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By admitting your inadequacies, you show that you're self-aware enough to know your areas for improvement - and secure enough to be open about them.
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I know I could be the host of 'SportsCenter' in two years if I changed my show today to sports.
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By the time I got to Bournemouth Art College, I'd been so inspired by Sam Raimi and Robert Rodriguez and their tiny, no-budget films that I decided to do a feature-length version of 'Fistful Of Fingers.'
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It's a constant challenge trying to find balance between styling, designing and being a mom.
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I complained to my mother about wanting to look less like myself and more like my friends. My mother then gave me a lesson in embracing my differences and loving them despite what others said.
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It's very hard to transgress; we have the furniture of transgression without the imagery and iconography to actually do it.
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I'm an entrepreneur. I'm married to an entrepreneur. So I haven't just sipped the entrepreneurship cool-aid, I bleed this stuff.
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I don't want to be a poster child for cancer.
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I think what happens is you write how you grew up. And I was born on the prairie, and so everything is kind of spare on the prairie. And so I'm just used to writing in that way. 'Sarah, Plain and Tall' was that way. And most of my fiction is. I like writing small pieces. Somehow it just suits me.
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How can there be peace without people understanding each other; and how can this be if they don't know each other?
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New York, for decades, offered a perpetual series of 'golden ages' to artists. You constantly had to measure yourself against the best, and you had to watch them, which meant that your imagination and also your sense of what the market could stand got very, very sharp.
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I think, with certain characters, you have to listen. Sometimes, listening can be funnier: the thing you don't say is the one-liner. That's the ying to the yang.
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The aim of scientific thought, then, is to apply past experience to new circumstances; the instrument is an observed uniformity in the course of events. By the use of this instrument it gives us information transcending our experience, it enables us to infer things that we have not seen from things that we have seen; and the evidence for the truth of that information depends on our supposing that the uniformity holds good beyond our experience.
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Everyone is mistaken, everyone lives in illusion. At best, we can admit a scale of fictions, a hierarchy of unrealities, giving preference to one rather than to another; but to choose, no, definitely not that...
