Emile Zola Quotes
Quotes to Explore
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A painting probably is the most shocking increase in value, from what it costs to make to what you sell it for.
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I sort of write onstage. I'll throw an idea out there, like Home Depot, and just start talking about it.
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My personality is extremely unbalanced.
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I shall have a beautiful dream tonight. I also wish everyone to have a beautiful dream.
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In the Seventies, a lot of executions via electric chair failed because of technical problems. Seed tells the true story of someone who survived and sought revenge. They buried him alive to make it seem he was dead.
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My movies are, more or less, very short. I'm terrified of boring an audience.
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I admit I do have some drawbacks and limitations as a candidate. Although I am a professional comedian, some of my critics maintain that this is not enough. I cannot deny that I stand before you untested and inexperienced - I only spent two years in television, never as a romantic lead or a song and dance man.
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No one remembers who came in second.
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The idea of having one ensemble do everything is what was on 'Sea Lion' and that's what I tried to make happen for 'Metals,' which is having five people in the room and all of us contributing equally to every arrangement and every song.
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What you had at the time was a dictatorship with the team owners.
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I think in the bullpen you can tell during your warmups, if you have a good feel for it. But anything can happen once you get into a game. Sometimes you just wind up throwing it better than ever before one day without knowing why.
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I have a fat head – I get freaked-out looking at pictures of me.
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I found L.A. much less responsive to the name Juilliard than New York was. In New York, that name actually means something. People will look up from their desks when you walk in. In L.A. it's, 'Oh yeah, that's a music school. What do you play?'
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Despite the demands of this job, one of the things my wife and I try to do is to spend time together alone. And one of the things we really enjoy doing together is seeing a good movie.
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I believe as musicians and artists we have an obligation to our souls. What that is? Only each one of us knows. I can speak for myself and say my obligation is to be happy. When I'm happy, I make great music. When I'm unhappy and my heart is broken, I may make brokenhearted music, but it still sounds good.
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Don't say anything online that you wouldn't want your mother to read.
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There is always something infinitely mean about other people's tragedies.
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Louie and Seabiscuit were both Californians and both on the sports pages in the 1930s. I was fascinated. When I learned about his World War II experiences, I thought, 'If this guy is still alive, I want to meet him.'
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That is another theme in the book [Dreams from My Father]. How do we exercise more empathy in our public discourse? How do we get the black to see through the eyes of the white? Or the citizen to see through the eyes of the immigrant? Or the straight to see through the eyes of the gay? That has always been a struggle in our politics.
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A poet, to whom no one cruel or imposing listens, Disdained by senates, whispers to your dust.
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I do think that 'Pretty Little Liars' has raised the bar in how social media can tie into the fan base watching the show.
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People with a lot of money don't dress as well as people who have to make do, who have to be inventive. Those are the people who are always more interestingly dressed, I think. Everything I do, I do with gut instinct. If I think too much, it won't come out right.
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Blow the candle out, I don't need to see what my thoughts look like.
