Emilia Clarke Quotes
Quotes to Explore
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I shall produce nothing that will offend the proprieties, whether applied to children or grownups. My pictures are turned out with clean hands and, therefore, with a clear conscience which, like virtue, is its own reward.
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What my future will not be is active politics in the Liberal Democrat party.
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I'd like to think you don't stop being creative once you get happy. My ultimate goal is to end up being happy. Most of the time.
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You can give some kind of spark of life to a comic that a photograph doesn't really have. A photograph, even if it's connecting with you, it seems very dead on the page sometimes.
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Love is never lost. If not reciprocated, it will flow back and soften and purify the heart.
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It's really unfair to working women in America who read celebrity news and think, 'Why can't I lose weight when I've had a baby?' Well, everyone you're reading about has money for a trainer and a chef. That doesn't make it realistic.
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Egyptian comedy has a very, very old tradition. Our theater and our movies are just, like, amazing. And Egypt is kind of like the Hollywood of the Middle East. I mean, we had cinema maybe decades before the other Arab countries ever got independence.
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Every year we celebrate the holy season of Advent, O God. Every year we pray those beautiful prayers of longing and waiting, and sing those lovely songs of hope and promise.
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We think that without cooperation with the Russians, we cannot achieve our goals.
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As soon as I get on my boat, something inside me changes. Then I really feel what living is.
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You're miserable, edgy and tired. You're in the perfect mood for journalism.
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There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.
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It will be found, in fact, that the ingenious are always fanciful, and the truly imaginative never otherwise than analytic.
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Families don't make projects for five years, they make projects for generations.
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When I put out 'Video Games' in May 2011, it was a 5:25-minute love song; I was surprised when a lot of people said they were listening to it. I was surprised when it went to the radio, without me even knowing how something like that even happens!
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In the 'Dreamblood' books, I'm focusing more on what I like about epic fantasy: the layering and depth of tension; the chance to really delve into the minutia of an alternate society and its politics; a large cast of characters to love and hate.
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My opinions and principles are subjects of just criticism. I put myself before the public voluntarily.
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Are zombies possible? They're not just possible, they're actual. We're all zombies.* Nobody is conscious - not in the systematically mysterious way that supports such doctrines as epiphenomenalism.*It would be an act of desperate intellectual dishonesty to quote this assertion out of context!
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It's so easy to get caught up in the demands of life. And we all take refuge at times in routines and recliners and 'usual' anything!
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As I wrote I began to see more strongly that there were inescapable analogies. You couldn't really live through the '80s without feeling how crass and distasteful some of the economic doctrines were. The slave trade is a perfect model for that kind of total devotion to the profit motive without reckoning the human consequences.
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You can always write a song about people who are in love, but they're in love, so they're happy; they don't need you. But the people that I try to worry about are the ones who don't have anyone to give chocolate to, and the girl who doesn't have flowers coming to her.
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Some people meet the way the sky meets the earth, inevitably, and there is no stopping or holding back their love. It exists in a finished world, beyond the reach of common sense.
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I wanted to make something that raised questions and was completely different and challenged the way most people experienced electronic music. So some people don't like me; that's OK.
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I owe absolutely everything to HBO.
