Emilie de Ravin Quotes
Quotes to Explore
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I'm Cuban, so I know a lot of people who act like vampires. But wait, vampires have to be invited to your house, so maybe they are nothing like Latinos!
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Hollywood's got its own particular environment.
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The fight against terror cannot stop as long as terrorism itself is not stopped, but the path of war must change: it must lead directly to terrorists and not be waged on the backs of three million Palestinians.
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No decent career was ever founded on a public.
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You only lie to two people in your life, your girlfriend and the police.
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It was always my desire to strike new ground and help to lend weight where it was most required.
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The utilization of flat roofs as 'grounds' offers us a means of re-acclimatizing nature amidst the stony deserts of our great towns; for the plots from which she has been evicted to make room for buildings can be given back to her up aloft.
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I've never been in a relationship before. I've only been in unrequited relationships where people haven't loved me back. I guess I'm a little bit attracted to that in a bad way.
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The lions taught me photography. They taught me patience and the sense of beauty, a beauty that penetrates you.
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I think it's much harder to have a long dialogue scene than an action scene. An action scene is long, but it's not really hard. It's kind of boring, really. It looks good at the end, but to shoot it, it's not the most exciting thing.
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He who indulges in falsehood will find the paths of paradise shut to him.
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I thought it was a really good contrast to have a really sweet, sincere, church girl sitting next to the church lady who seemed kind of, you know, over the top.
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A woman simply is, but a man must become.
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For better or worse, a lot of people who build things don't want to part ways. They don't have the short exit plan that a lot of the investors have.
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I think young writers should get other degrees first, social sciences, arts degrees or even business degrees. What you learn is research skills, a necessity because a lot of writing is about trying to find information.
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I started writing regularly for 'The Atlantic' roughly around the time that Barack Obama got inaugurated.
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I don't intentionally go: 'Ooh, what is provocative,' and try to do that. I just do stuff, and people go: 'Ooh, that's provocative.'
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I think that the destructive element is too much neglected in art.
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Being a rock widow is not my job, so I would hire people to do it for me.
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At the time of Woodstock, I was just 13, but I used to see these exotic hippy creatures and I did look on with envy. How could you not? In an ideal world, I would have loved to have been a hippy - but I might have been a bit strait-laced. It was my fantasy.
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My dad would always say, 'Girl, you've been given gifts. Use them.' And what he meant by that was, 'Don't just be successful. Don't just use your talents for your own success. But make a difference with them. Do something significant.' And when I put those two things together, it just causes me to not accept the status quo.
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The ideal state is that in which an injury done to the least of its citizens is an injury done to all.
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I always try and take something from each job.
