Emilio Estevez Quotes
Americans are probably more in line than ever before. We're more moderate than we are liberal or conservative.
Quotes to Explore
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Unless technology itself is drastically repressed, the idea of the dystopian monoculture like Orwell's 1984 gets harder to believe. But the danger of a solipsistic society will grow, of a disconnected society of mirror-watchers and navel-gazers.
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Time is the most valuable thing on earth: time to think, time to act, time to extend our fraternal relations, time to become better men, time to become better women, time to become better and more independent citizens.
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I believe women are the glue of everything.
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I have always believed that life is too short for rows and disagreements. Even if I think I'm right, I would prefer to apologize and remain friends rather than win and be an enemy.
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In the late '70s, I was falling into the middle lane. I was way too country to be rock, and way too rock to be a country act.
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Jon Bon Jovi is remarkable.
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It will be thought that I am acting strangely in concerning myself at this day with what appears at first sight and simply a well-known method of fortune-telling.
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The terror of the atom age is not the violence of the new power but the speed of man's adjustment to it, the speed of his acceptance.
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I'm sorry if the following sounds combative and excessively personal, but that's my general style.
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I was born in Patterson, New Jersey, and raised pretty much all around the country. My family tended to move from place to place following economic prospects and jobs and looking for new opportunities, so we changed schools, colleges, grade schools, high schools every 6 months to a year - depending on the breaks.
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We still need to be conscious of the fact that Russia has intercontinental ballistic missiles.
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To feel our ills is one thing, but to cure them is another.
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I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real.
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Ladies, I'll let you in on a lil secret: guys don't notice your nails.
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For me, graffiti writers were always the fascinating eccentrics of hip-hop culture. What they do is secretive by definition, and not remunerative in any way.
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It wasn't just OK to achieve in my family - it was expected.
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In the spring of 1929, I returned to the United States. I was homesick for this country. I had learned in my student days a great deal about the new physics. I wanted to pursue this myself, to explain it, and to foster its cultivation.
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Variety shows didn't disappear; it was the caliber of the artists, the classic vaudevillians that have passed on. They are gone, so there's a different caliber performer that's come along that hasn't had the time to work in the small clubs and get the experience.
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I find it hugely exciting to be dealing with another writer's language.
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It's very much a back and forth conversation between the fans and the writers, between the writers and the powers that be. Their opinions, especially when expressed online or via correspondence, are important and are taken into consideration.
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I don't work all day, every day on 'Rizzoli & Isles,' but I work every day. It may be a scene or two, or it may be an enormous workload, but there's really not a lot of room for anything else, and that's the choice I made. And that's why I stayed away from TV before: Because I know that that's what it is.
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Every single person you can think of called me Paper Boi.
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That's the biggest gift I can give anybody: 'Wake up, be aware of who you are, what you're doing and what you can do to prevent yourself from becoming ill.'
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Americans are probably more in line than ever before. We're more moderate than we are liberal or conservative.
