Emilio Estevez Quotes
The first couple of pictures I wrote and directed were dreadful, because I was dealing in worlds that were not familiar to me, and writing about fantasy. They were just not anything I was really connected to.
Quotes to Explore
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We're all concerned about sports rights being so expensive. Obviously, we are funded by the licence fee payers, so it's not always easy to compete with those who can get greater revenue.
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There is an expression now that is commonly used about these so-called internal conflicts which are not really internal, because they have connections to the outside world.
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I kind of found a niche for myself after 'Firefly'. I found something that I enjoyed doing and that I did well, but as far as how I seek out a part, it's always different. It's always something that lights you on fire when you read it. It might be just one scene, it might be one line that defines the character for you.
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Let me just say as one who has been speaker of the House, I've had to have a very thick skin about every kind of thing that was thrown at me.
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Playing different characters in different films helps keep you excited about what you do. It always seems like a whole new adventure.
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I almost laughed about the Machiavellian plans of the presidents of the United States.
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People think I'm just an old Luddite, but that's untrue. I buy every new gizmo as it comes out, play with it until I understand how it works, and then give it away.
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The deadpan brilliance of John McCrea has been underrepresented in music since 2004, when Cake served up 'Pressure Chief.'
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I'm not religious, I'm not romantic and I live purely by logic. I make every decision by logic and sometimes that leads me to the right and sometimes to the wrong decision.
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I actually wanted to first direct and produce, but then I got this very cool opportunity to be in front of the camera once.
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It was a small provincial place with great people and I had a happy childhood growing up in Queens.
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I knew Hunter Thompson since the '70s, and I loved him, but he would wear me out as I got older.
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I'm not a one-issue person.
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I need to have something else going on. I'm able to write a lot if I have an episode of 'Friday Night Lights' going on my computer.
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When Scorsese or Coppola cast celebrities in their work, it goes without question.
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The Arab representatives and their followers were not interested in the persecuted millions throughout the world; they were fixed on a political agenda that distracted the world from their own serious shortcomings in the human-rights department.
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I didn't really make up my mind to be an actor until I did 'The Hitcher' with Rutger Hauer. I was about 17 or 18 when I did that, by which point I'd probably done a dozen or more movies or TV things, but 'The Hitcher' was the experience that made me want to study and commit and learn how to do this for my life.
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I am not trying to be a historian and a dramatist; I'm a dramatist, a dramatic historian, or one who does a dramatic interpretation of history.
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There's a way of playing safe, there's a way of using tricks and there's the way I like to play which is dangerously where you're going to take a chance on making mistakes in order to create something you haven't created before.
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What he had yearned to embrace was not the flesh but a down spirit, a spark, the impalpable angel that inhabits the flesh.
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Is it that Nature, attentive to the preservation of mankind, increases our wishes to live, while she lessens our enjoyments, and as she robs the senses of every pleasure, equips imag-ination in the spoil?
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I began writing 'Matterhorn' in 1975 and for more than 30 years I kept working on my novel in my spare time, unable to get an agent or publisher to even read the manuscript.
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Footballers today are forced to conform to a bodily aesthetic that in its rigidity and uniformity makes fashion models look as varied as snowflakes. This wasn't always so. Up until the 1980s most teams in all divisions had a couple of fat ones, a couple of little ones, at least one bandy one, one completely covered in hair, two weaklings and a chap with no neck. This was an era when you didn't need names on the backs of shirts in order to tell who's who, you could clearly identify them with your eyes half shut from the other side of the pitch.
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The first couple of pictures I wrote and directed were dreadful, because I was dealing in worlds that were not familiar to me, and writing about fantasy. They were just not anything I was really connected to.
