Dylan Taylor Quotes
If you offshore, if you telecommute, if you do anything to minimize your company's physical real estate, there are real consequences to its culture and cohesion.
Quotes to Explore
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In the mid-1990s, when Russia was undergoing a construction boom, I entered the real estate development market.
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People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.
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I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
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When people talk about the impact of mobile dating, everyone focuses on real-time meeting - this idea that my pocket will vibrate every time a hot girl walks by. That's important. But it's not transformative.
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I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot of times, I'm wrong, but it's always the hope.
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We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.
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Real love is a permanently self-enlarging experience.
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We have our own history, our own language, our own culture. But our destiny is also tied up with the destinies of other people - history has made us all South Africans.
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I think that one possible definition of our modern culture is that it is one in which nine-tenths of our intellectuals can't read any poetry.
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With modelling, you provide an image that is fake; with acting you have to provide an image that's real.
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I always say that the real success of Wine Library wasn't due to the videos I posted, but to the hours I spent talking to people online afterward, making connections and building relationships.
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Pictures can be devastating. Who allowed John Kerry to get himself photographed windsurfing in a flowered swimsuit? Anyone in the real world in that operation?
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Why do you think the fans like us - why they prefer our street raps over all that phony stuff out there? Because we're telling the real story of what it's like living in places like Compton. We're giving them reality. We're like reporters. We give them the truth.
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Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.
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If you've driven over to the gay section of Los Angeles, it's like a golf course... Real estate values go 'boom!'
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I thought I was an old soul, and that I knew life, but then starting the real life, I figured I am completely new.
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Second guesses in putting are fatal.
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I'm really interested in people's decisions.
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You cannot blame the mismanagement of the economy or the fact that we have not invested adequately in education in order to give our people the knowledge, the skills and the technology that they need in order to be able to use the resources that Africa has to gain wealth.
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I don't like the American media - particularly Fox.
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Poaching is a very complicated, multi-layered problem.
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If you offshore, if you telecommute, if you do anything to minimize your company's physical real estate, there are real consequences to its culture and cohesion.
