Dylan Moran Quotes
Quotes to Explore
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Yeah I'm still writing. I've got about 14 tracks now. But we've been on tour so we haven't had time to get back to a rehearsal place.
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I don't know how old I was when I started writing books. But, I was born in 1931, and I wrote my first book in 1961.
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Writing is an exploration. You start from nothing and learn as you go.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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When improv is bad, it's excruciating to watch, and to be involved with it is a unique type of torture.
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I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
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Writing for the theater, you find yourself living a nocturnal life.
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My friends and I were wild and we liked to joy-ride.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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We're never so vulnerable than when we trust someone - but paradoxically, if we cannot trust, neither can we find love or joy.
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A lot of people seem to feel that joy is only the most intense version of pleasure, arrived at by the same road - you simply have to go a little further down the track. That has not been my experience.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.
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I was at a slight disadvantage in that I had never played in bands or done any performances before, and that's just as important as writing, recording, and putting records out. It's been a lot of hard work, balanced with a lot of pinch-myself moments of touring in crazy parts of the world.
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I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains.
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There aren't a lot of 'Aha!' moments in writing.
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The Ewoks were definitely a challenge of writing 'The Jedi Doth Return.' After having done so many things with characters who don't speak English, how was I going to make them stand out? Jedi is also rich with emotional material, particularly Darth Vader's transformation from the dark side back to the good.
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I guess the wildcard here is Terrence Malick. He supervised me while I was writing the script for Beautiful Country, and he is a genius, although not always easy to follow. What I learned from him is that the narrative can be tracked through all kinds of scenes, that the strong narrative thread is not always the one that is most obvious. Creating narrative with Malick was a bit like chasing a butterfly through a jungle. This approach to narrative is fun and complicated, something that makes the process of writing constantly interesting to this writer.
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There are really very few roles for women in films in which you can also make a living.
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Youku Tudou kicked off 2014 in a positive direction. Mobile has become the number one screen for Youku Tudou, and we are the undisputed leader in all of the important mobile video traffic metrics.
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My salary swings an unbelievable amount. When I had Holly, I took seven months off, so my salary was very low. It fluctuates wildly. No one pays you for the period you spend writing. I am certainly not rich.
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[John] Calvin is often identified with his account of predestination. Yet that appears in the third book of his Institutes, not the first.
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We are both drawn to surreal situations so the writing was a joy.
