Prabal Gurung Quotes
I came from Bill Blass, where it was a well-oiled machine and if I said I needed a fabric, it was done. Now, I have to budget everything. I have to take on the role not just as a designer but a business. But I'm a glass half-full kind of guy.
Quotes to Explore
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I am very proud to be African. I want to defend African people, and I want to show to the world that African players can be as good as the Europeans and South Americans.
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To be honest, proper recognition has only come from the fans. I don't want to be hard, and I don't want to be negative, but I want to be honest.
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Ideas emerge when a part of the real or imagined world is studied for its own sake.
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The '80s made up for all the abuse I took during the '70s. I outlived all my critics. By the time I retired, everybody saw me as a venerable institution. Things do change.
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The win-win situation is the basis for America's entire business world. Instead of wasting our time attempting to defeat each other, let's find a way that will make both of us gain and go home satisfied. In Israel, it doesn't work because the only meaning of victory is seeing your rival's body lying trampled on the floor.
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The only positive finding which could be drawn from the first series, was the conclusion that the relationships obviously had a more complicated lay-out than had been thought, for the effects were so varied that no obedience to any law could be discovered.
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My generation of the Sixties, with all our great ideals, destroyed liberalism, because of our excesses.
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I'm a fairly ascetic person. And I do most of my writing at night. You don't get distracted, your brain goes into what you are writing about, into the world you're writing about, rather than into the world you're in.
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I know many writers who first dictate passages, then polish what they have dictated. I speak, then I polish - occasionally I do windows.
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Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them.
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I had to get out of America to get a professional life going where I could actually make a living.
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I was 12 when it really hit me. I did children's theatre camp during the summers and played a fairy in 'A Midsummer Night's Dream.' The next summer, I played Clytemnestra in 'Agamemnon' and I was like, 'OK, this is amazing.'
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It's not the name that makes the player. It's the player.
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TV feels quite constipated, and the thing I find particularly difficult is the branding of the channels where it's not 'Is it a good script?' but 'Is it a BBC2 script?'
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I can tell more about my weaknesses than my strengths.
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Selling is something we do for our clients - not to our clients.
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I am all for everyone having a voice; I just don't think everyone has earned the microphone. And that's what the Internet has done.
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Choice of attention - to pay attention to this and ignore that - is to the inner life what choice of action is to the outer. In both cases, a man is responsible for his choice and must accept the consequences, whatever they may be.
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My plays have been strange from the beginning, and they never got unstrange.
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As far as aging on screen is concerned, I am sure the TV audience don't go by stereotypes - they have evolved and become smarter over the years.
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I've said consistently that I always reserve the right, in conjunction with a broader international effort, to prevent genocide or any wholesale slaughter than might happen inside of Iraq or anyplace else.
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It was a lifetime occupation that kept us too busy to stop and ask if we were happy or not.
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I think I would go for a Michael Phelps kind of guy.
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I came from Bill Blass, where it was a well-oiled machine and if I said I needed a fabric, it was done. Now, I have to budget everything. I have to take on the role not just as a designer but a business. But I'm a glass half-full kind of guy.
