Prabal Gurung Quotes
I came from Bill Blass, where it was a well-oiled machine and if I said I needed a fabric, it was done. Now, I have to budget everything. I have to take on the role not just as a designer but a business. But I'm a glass half-full kind of guy.
Quotes to Explore
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I am very proud to be African. I want to defend African people, and I want to show to the world that African players can be as good as the Europeans and South Americans.
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To be honest, proper recognition has only come from the fans. I don't want to be hard, and I don't want to be negative, but I want to be honest.
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Ideas emerge when a part of the real or imagined world is studied for its own sake.
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The '80s made up for all the abuse I took during the '70s. I outlived all my critics. By the time I retired, everybody saw me as a venerable institution. Things do change.
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The win-win situation is the basis for America's entire business world. Instead of wasting our time attempting to defeat each other, let's find a way that will make both of us gain and go home satisfied. In Israel, it doesn't work because the only meaning of victory is seeing your rival's body lying trampled on the floor.
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The only positive finding which could be drawn from the first series, was the conclusion that the relationships obviously had a more complicated lay-out than had been thought, for the effects were so varied that no obedience to any law could be discovered.
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My generation of the Sixties, with all our great ideals, destroyed liberalism, because of our excesses.
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I'm a fairly ascetic person. And I do most of my writing at night. You don't get distracted, your brain goes into what you are writing about, into the world you're writing about, rather than into the world you're in.
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I know many writers who first dictate passages, then polish what they have dictated. I speak, then I polish - occasionally I do windows.
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I got a big mouth.
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Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them.
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I had to get out of America to get a professional life going where I could actually make a living.
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It's not like I have the most perfect body in the world. I'm a normal girl.
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I was 12 when it really hit me. I did children's theatre camp during the summers and played a fairy in 'A Midsummer Night's Dream.' The next summer, I played Clytemnestra in 'Agamemnon' and I was like, 'OK, this is amazing.'
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It's not the name that makes the player. It's the player.
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TV feels quite constipated, and the thing I find particularly difficult is the branding of the channels where it's not 'Is it a good script?' but 'Is it a BBC2 script?'
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I can tell more about my weaknesses than my strengths.
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Selling is something we do for our clients - not to our clients.
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Unlike science, creationism cannot predict anything, and it cannot provide satisfactory answers about the past.
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I don't think I'm even close to fulfilling my potential. And I think also that, unlike a pianist or a flutist, an actor has an instrument that is constantly changing.
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In the film world, and I know this from just talking to other people, that I'm known as a kind of dramatic, serious, almost humorless actor, and the fact is I'm a funny guy, and I spend most of my life trying to find a lighter side of things and on stage was given plenty of opportunity to do that.
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You don't need to be the good guy to get a good message out.
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I came from Bill Blass, where it was a well-oiled machine and if I said I needed a fabric, it was done. Now, I have to budget everything. I have to take on the role not just as a designer but a business. But I'm a glass half-full kind of guy.
