Dustin Diamond Quotes
You see people who are 19 or 20 years old and they don't even know who The Who is. It's like, where have you been? Justin Timberlake? C'mon. Where are the roots?
Quotes to Explore
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I joined the Army at 19 as a soldier and spent about four and a half years with them. Then I broke my back in a freefall parachuting accident and spent a year in rehabilitation back in the U.K.
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I took my acting very seriously. I did over 40 films, and naturally, some of them were called B-movies because the woman was at the top of the billing. Women couldn't star in their own movies.
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You can't control where your heart goes.
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There comes a time when money doesn't matter.
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So long as you do not achieve social liberty, whatever freedom is provided by the law is of no avail to you.
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I have to expend an awful lot of energy actively undoing the impact of my name. Understandably, people assume that I have at least some connection to Iran. The truth is that I don't. I have very little knowledge about the culture, the language, the history. I've never been to Iran. I've never even been inside a mosque.
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I started riding the whole 'fluffy' train, and it's a cute word and socially a lot more acceptable than someone saying is fat or obese. If you call a girl 'fat,' yo, she'll raise hell, but if you say, 'Aw girl, look at you, you're fluffy,' there's almost a sexy appeal to it.
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No good actor ever stops learning. He is constantly evolving.
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I've lived in New York for 40 years. I came right after college.
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Chess helps you to concentrate, improve your logic. It teaches you to play by the rules and take responsibility for your actions, how to problem solve in an uncertain environment.
Garry Kasparov -
The Navy runs their process. The House of Representatives doesn't do anything about their process. We do not select. Navy officers select.
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If you're writing fantasy or science fiction, it's really hard to do if you don't know a lot, at least in a basic way, about how the real world works.
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Singing is a prayer to me.
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My youngest sister belonged to a group called the Twelve Tribes for many years. She recently left, with her husband and four children. Talking to her about her experiences in the group is fascinating, moving, and enlightening.
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Most interviewers are looking for a headline. They're not skilled. They're looking for shock value.
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I am not the kind of director who sits in a chair smoking a cigar talking with a microphone to 10 assistants. I need to move. To touch. To put a painting on a wall. To arrange a set.
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First and foremost when you're doing comedy, you gotta be relevant and applicable to the times that you're living in. When you try and just do comedy about who is dating who and lifestyle jokes, it gets tiring after a while. It's hard to be funny in that realm.
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I am a very active audience member. I want to be moved. I want to be confronted. I want to feel.
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Vulnerability is the birthplace of connection and the path to the feeling of worthiness. If it doesn't feel vulnerable, the sharing is probably not constructive.
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My career started young and I was really ambitious, and then I had success and I hung out with people who were much older. I think I might have been temporally misplaced, so I thought I was 40. It was a premature midlife crisis.
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You can't make people believe in you if you play a horror part with your tongue in your cheek.
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New Zealand is a pretty no-nonsense place to work, like Australia. I mean it doesn't falter to anyone.
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You see people who are 19 or 20 years old and they don't even know who The Who is. It's like, where have you been? Justin Timberlake? C'mon. Where are the roots?
