Martin Fleischmann Quotes
Scientists are really very conscious of the fact that they stand on the shoulders of an enormous tree of preceding workers and that their own contribution is not so enormous.
Quotes to Explore
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I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.
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Chinese people age overnight.
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Businesses fail when they over-invest in what is at the expense of what could be.
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Fashion isn't something you can buy; you need to have the sense of it, and most people don't.
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The sky in Texas is the most amazing sky in the whole country, I think, like you can see more sky in Texas than you can see anywhere else in the world.
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Don't hate me for what tabloids write about me, because I guarantee it's a lie.
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I want to do that. That's my goal. I want to become a legend.
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I've committed to surfing the rest of my life.
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I'm the best Twitterer.
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Like any small business owner, I experienced the pressures of building a company from the ground up - developing a business plan, balancing the books, meeting payroll and building a customer base.
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People are not happy with women in actual power, yet we seem to be happy to take women on as figureheads, objects, like queens. It's a powerful yet politically powerless role.
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Being a recognised face has its problems. I miss the freedom to go anywhere I want to.
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It was important on The Shipping News to have my house far enough away from each location so I had this time in the morning to think about my shots and still remain open to surprises once I got to the set.
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Abstract anger is great for rhetorical carrying on. You can go on endlessly about the post office, but it doesn't mean you're mad at your mailman.
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The days of the painter at the Bauhaus appear to be truly over. They are estranged from the actual core of present activities, and their influence is more restricting than inspiring.
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Hemingway's minimalism is based on the psychological mechanics of repression. An echo of his approach can be detected in a favorite trope of 1980s minimalists: a pattern of reference to dire secrets and hidden wounds these authors didn't realize they were supposed to have imagined.
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I developed the habit of writing novels behind a closed door, or at my uncle's, on the dining table.
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I don't mind doing the green-screen stuff at all, and in fact it's a lot like black-box theater, which I did plenty of in New York.
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No life is perfect; we all have our problems and issues, and I believe that it's good to be true to who you are.
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How do I play the princess thing? I don't, really. I don't like talking about it much and find it annoying when people say things like, 'Oh, you're the princess.' One of my best friends jokingly says, 'Hi, Princess,' and I say, 'Shut up.' It is one of the things that bugs me most in the world.
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I believe that true art is universal in its appeal.
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My parents didn't give me any scope to feel sorry for myself. They were just like 'go play with your brother, go climb a tree, go fall off your motorbike, do whatever you want. Don't come crying to us when you get scratched. You've got prosthetic legs - that's very nice.'
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Scientists are really very conscious of the fact that they stand on the shoulders of an enormous tree of preceding workers and that their own contribution is not so enormous.
