Martin Freeman Quotes
Quotes to Explore
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I do a lot of inspirational talks for kids, to motivate them to change their lives and give them hope.
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You can't go around hoping that most people have sterling moral characters. The most you can hope for is that people will pretend that they do.
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We need more children raised in the optimum situation, which is between a mom and a dad bonded together for life.
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I would hope there would be a greater appreciation by casual sports fans of the incredible skill and passion of our players.
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We need to think about how we teach working-class children about not just hard skills, like reading and mathematics, but also soft skills, like conflict resolution and financial management.
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I have one brother, John, an airline pilot, who is seven years younger. He's adopted, though we're still blood related - he's my cousin. My parents couldn't have any more children after me, so when Dad's brother died, they adopted John, then just a baby.
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I hope kids feel gratitude for what they do have.
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Children are educated by what the grown-up is and not by his talk.
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For love would be love of the wrong thing; there is yet faith, But the faith and the love and the hope are all in the waiting.
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We are all dreamers creating the next world, the next beautiful world for ourselves and for our children.
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I didn't have children, but I never wanted children.
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I hope everybody thinks they've got the best album. I wouldn't have put mine out if I didn't think it was the best.
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The debt of gratitude we owe our mother and father goes forward, not backward. What we owe our parents is the bill presented to us by our children.
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I like children - fried.
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The passage of the Civil Rights Act of 1964 represented precisely such a hope - that America had learned from its past and acted to secure a better tomorrow.
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Children are our second chance to have a great parent-child relationship.
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There have been two areas identified as being vital to reading - and that's for very young children between the ages of one month and five years and for teenagers. I've been trying to find ways of approaching both groups.
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I'm still enjoying discovering more designers and getting to play dress-up in a bigger way than I ever have before.
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I liked the idea of creating a new pop-culture, folkloric hero character that I created with 'Django' that I think's gonna last for a long time. And I think as the generations go on and everything, you know, my hope is it can be a rite of passage for black fathers and their sons. Like, when are they old enough to watch 'Django Unchained'?
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The pull between sound and syntax creates a kind of musical tension in the language that interests me.
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In almost every task involving form, there are dozens, often hundreds of contradictory elements, which need to be forced to work in harmony by man's will. This harmony can be acheived only through art.
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The gaze that sees is the gaze that dominates.
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I hope I inspire children to make films.
