Emily Dickinson Quotes
How do most people live without any thought? There are many people in the world,--you must have noticed them in the street,--how do they live? How do they get strength to put on their clothes in the morning?
Quotes to Explore
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I found that not having a public profile was not hurting the work, and it freed me up to be the satirist I wanted to be.
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I think downloading is both saving and killing the music industry at the same time.
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I attended the bedside of a friend who was dying in a Dublin hospital. She lived her last hours in a public ward with a television blaring out a football match, all but drowning our final conversation.
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We did a remake of Lost in Space. Filmed it in London for four months.
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Sex is the ersatz or substitute religion of the 20th Century.
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I have quite a house. People come over and I go, 'I know, I'm sorry.'
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When I was sixteen years old, I was sentenced to two years in prison; the Swedish government changed it, so I could go to a boarding school as part of a social programme. I was in this boarding school with some of the richest kids in Sweden.
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Warhol's images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn't think about him a hell of a lot.
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When I was 10 years old, that nuclear spark hit me. Whatever it may be, I really don't know what it was about nuclear science, but whatever it was that triggered that interest, it stuck. I went after that one with a passion.
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The composition of the primary is so different than when I was first elected governor in 1978.
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One of our first jobs was at Saba Software. We were helping them build their products for the cloud. We wanted to build our own product and move away from consulting. We were looking for a change. The CEO of Saba introduced me to Marc Benioff.
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Chanting was very deep for me. It was as if I remembered it. It was like a real surrender.
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The only history is a mere question of one's struggle inside oneself. But that is the joy of it. One need neither discover Americas nor conquer nations, and yet one has as great a work as Columbus or Alexander, to do.
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Although I now spend most of my time writing novels for teenagers and adults, 'readaloudability' is still a criterion I try to adhere to.
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You can never fully put your finger on the reason why you're suddenly, inexplicably compelled to explore one life as opposed to another.
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I was signed at 19 years old to a major label, and dropped by the time I was 22.
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The happy combination of fortuitous circumstances.
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When you start directing movies at the age of 24, you're just a kid; you don't necessarily even have the experiences to add to the story. You're working off of instinct and raw emotions and raw talent, and hopefully it's the same trajectory as growing as a person.
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Lissa lowered her voice and added, "I might not even go to school anyway. I might defer and join the Peace Corps and go to Africa and shave my head and dig latrines." "Shave your head?" I said, because, really, this was the most ludicrous part of the whole thing. "You? Do you have any idea how ugly most people's bare heads are? They've got all kinds of bumps, Lissa. And you won't know until it's too late and you're flat-out bald.
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Let me begin by saying that I am one of those naturally wary people who considers the verb 'return' a kind of insidious threat.
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Randal can write one-liners again. Everyone is happy, and peace spreads over the whole Earth.
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The well bred contradict other people. The wise contradict themselves.
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The engine room really is a metaphor for my head, and all the things bangin' around, and I think I share that with a lot of people. A lot of memories, and a lot of hopes, and a lot of just dealing with the day-to-day. Sometimes it gets all abstract.
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How do most people live without any thought? There are many people in the world,--you must have noticed them in the street,--how do they live? How do they get strength to put on their clothes in the morning?
