Emma Bunton Quotes
Quotes to Explore
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I don't miss acting at all.
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I think I'm a critic of corporate power, whether locally or globally. And the term 'globalization' I've never found all that helpful.
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Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.
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Comedy, we may say, is society protecting itself - with a smile.
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I have a cousin called Flirta D who was big in the grime world, which made me really cool at school. 'Flirta D's your cousin?' 'Yeah, buddy.' 'He must be a millionaire!'
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'Breakfast at Tiffany's' isn't a great movie because Audrey Hepburn is brilliant and everyone else isn't. It's a great movie because everybody is fascinating, and she is at the center of it being amazing.
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I naturally like that dreamy, shoegazey sound on my vocals. A lot of reverb helps, and so do a lot of delay effects on everything.
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The world expects India to be one of the leaders in solving the problems of politics and economics. India sits at the high table in most major multilateral deliberations. What India says is heard with attention and seriousness.
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Muslims who commit terrorist acts are perverting their religion.
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Sometimes I think sportsmanship is a little bit forgotten in place of the individual attention.
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After 'Chandni Bar' there was a shutdown of such bars in Mumbai. After 'Page 3' people started avoiding such events. 'Traffic Signal' exposed the money flow through the mafia. I'm not apologetic about the brutal truth in my films. Almost 70% of my films are based on reality, and 30% I fictionalize or change to suit my film.
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It pays to cultivate popularity. It doubles success possibilities, develops manhood, and builds up character.
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I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
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Because Mr. Mandela's early opponents invested so many resources into distorting the true nature of his advocacy, the singular historic moment millions now celebrate could have been tragically lost to guerrilla decontextualization.
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I think the most un-American thing you can say is, 'You can't say that.'
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I hope that the movie industry will learn from the experiences of the music industry and will be much more constructive in their approach to P2P.
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Right after 9/11 there was a magazine with a cover of kids, mostly 12-14 year-olds, who were being trained for military combat. I thought that this had just gone too far.
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Television shows, especially hour-longs, are hard, tiring work. Those people are very tired and very rich. But they're working really hard, and to create the illusion of having the time of your life like that, you really got to give it up to the people who do it.
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Sometimes you just work, you work, you work, and you have no life, no boyfriend, you have no more friends, no more nothing, you just make movies, and you're tired, and you don't know why. Then everybody says, 'Oh you are so lucky, you are working!' And you're like, 'Oh yeah, oh yeah, it's so great!'
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When I work I relax; doing nothing or entertaining visitors makes me tired.
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The 'Station to Station' film is made entirely out of one-minute films, and each of the 62 minutes is a completely different person, place or encounter.
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Everyone has an identity crisis when they are 16 or 17 years old.
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I don't think I will ever get tired of wearing pink.
