Emma Goldman Quotes
It is characteristic of theistic 'tolerance' that no one really cares what the people believe in, just so they believe or pretend to believe.
Quotes to Explore
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I used to get some flack from my agents because I wouldn't even audition for parts where the hero uses violent force to be a hero.
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Our parents all experimented with raising us in a fairly loose, unorthodox way. A huge emphasis was placed on creativity, and our artistic efforts were never dismissed as childish. There was a sense that we - kids and grown-ups - all had the potential to make something of value. Our drawings were not simply destined for the refrigerator.
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Why would I want a place of my own? Then I would have to things worry about, like doing laundry and having food in the fridge.
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No one wants to see a person on TV who's super-ultra-cool. That's Superman, that's a thing of the past. Heroes are now flawed, and have terrible tempers, you know? They're real people.
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Poetry comes alive to me through recitation.
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I think everybody understands the fact that the right person will be cast for the role. So it's not theirs really to lose; they're just trying to find the right person.
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Leaks are always bad news.
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Most Israelis have a sense, 'We just don't want to live in the Middle East anymore. We don't want it to be the Middle East. Were going to just build a wall or operate unilaterally' - not try to even use force as used to be the case to convince Arabs to accept Israel by convincing them that Israel is here to stay and then negotiating.
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I was all about my thoughts, my work, my inspiration. I was always in hair.
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I just wanted to defend football, which is not always easy to do. Those of us who have been in the sport so many years now realise we must protect it and look after it. I was speaking about football, what it means. It is our profession, it has been our lives, and we must take care of it a little.
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Typically, a book takes me about a year to write.
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My dream is of a place and a time where America will once again be seen as the last best hope of earth.
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My interest in Virtual Reality (VR) films began for me when I began a fellowship with MIT's Open Documentary Lab. It was a profound experience to be on MIT's campus one day a week and to enter a new world of storytelling where breaking convention and traditional methods were expected. This was deeply challenging and inspiring.
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I spend several years trying to get inside the brain and heart of my subjects, listening to the interior monologues in their letters, and when I have to bridge the chasms between the factual evidence, I try to make an intuitive leap through the eyes and motivation of the person I'm writing about.
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I believe it's important that we use names of endearment that reflect a special feeling for the individual involved.
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It is natural to indulge in the illusions of hope. We are apt to shut our eyes to that siren until she allures us to our death.
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I don't get self-conscious. I'm not vain in that way.
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I think the Bush Administration was bound and determined on regime change, and we will be paying the price of that for some time to come.
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I want to do movies but not talk about them.
Nastassja Kinski -
I think that's what is so cool about performing. When there is a show to do, you get up there and do it.
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My favorite thing is to go out in the arenas, like, an hour before doors, and run the concourse. And you get that anticipation. You smell the popcorn. You see the people tapping the kegs. And nobody is in there yet but you, but you feel it. It's my favorite thing on tour.
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After leaving school, I travelled around Europe for about six months. In Denmark, I thought that was my chance to get an amazing haircut, so I went to what I thought was a great hairdresser. It turned out to be the car wash of hairdressers, and I walked out sporting yet another pudding bowl, but this time with a stripe bleached down the centre.
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We couldn't generalize on the people. Some of them were known to be tough guys and they didn't say much, but some of them were kind of soft-headed, but they did that. That was an East German film.
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It is characteristic of theistic 'tolerance' that no one really cares what the people believe in, just so they believe or pretend to believe.
