Emma Stone Quotes
You usually get a script and you tell people what the story's about, and they have no idea what's going on. Whereas with an adaptation, you come into it, and it seems like everyone you talk to has a million opinions on the cast and the way the story should be told.
Quotes to Explore
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Over the years I have learned that what is important in a dress is the woman who is wearing it.
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Write for yourself. That's it. And write every day.
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I think we should all call ourselves feminists.
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I think the key to a great romcom is to not fight against the genre. The trend more recently has been to apologise or be snarky, so it's an anti-romcom. Just lean in and embrace the fact it's a love story, and it's funny, and it's light. It can still be uber-smart and deal with zeitgeist issues.
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It was in the Papal States that I studied the Roman Question. I traveled over every part of the country; I conversed with men of all opinions, examined things very closely, and collected my information on the spot.
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I listened to it last night for the first time since we started this project. I went out to my car and put it in and went to an empty parking lot and just listened and read the little pamphlet that came with it. After two or three songs I burst into tears.
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'Caught' is a novel of forgiveness, and the past and the present - who should be and who shouldn't be forgiven. None of my books are ever just about thrills, or it won't work.
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I need talk more, call people out. It's not who I am, but I feel I need to do this more to bring more attention for me.
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I never met a woman I didn't like. I love 'em all, in their different ways.
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I want to be able to do work where I think it's very forward, but I also want it to exist in a big way and have an effect on a lot of people.
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I don't eat any red meat.
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A will finds a way.
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I've always considered myself to look like a rather plain-and-exhausted bluestocking, so it's rather odd to read Tweets commenting on my appearance.
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I first learned the power of trust in the CIA. There is no question that when I joined the Agency as a covert operations officer, it was still run along the 'old boys' network' model.
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I think that souls agree to come in and do what they're going to do and then leave when they're going to leave. So there's nothing tragic when a soul leaves. I think it was already preordained.
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I want to let fans know how much I appreciate them and how much I appreciate them showing interest in our music and me personally.
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Cambridge was a joy. Tediously. People reading books in a posh place. It was my fantasy. I loved it. I miss it still.
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My mom told me if I ever got a tattoo, she was going to take it off with a potato peeler.
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People were being so mean as a result of my ability - a gift, really. So I think that's what makes me fight harder to provide an option to aspiring kids or artists. I wouldn't want anyone to go through what I went through... to see a little girl or a little dancer experience such unnecessary rejection.
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The people you love are just weapons that will be used against you.
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Certainly I was relatively a refined person. No way a tramp.
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You usually get a script and you tell people what the story's about, and they have no idea what's going on. Whereas with an adaptation, you come into it, and it seems like everyone you talk to has a million opinions on the cast and the way the story should be told.
