Emma Stone Quotes
You usually get a script and you tell people what the story's about, and they have no idea what's going on. Whereas with an adaptation, you come into it, and it seems like everyone you talk to has a million opinions on the cast and the way the story should be told.
Quotes to Explore
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Over the years I have learned that what is important in a dress is the woman who is wearing it.
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Write for yourself. That's it. And write every day.
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I think we should all call ourselves feminists.
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I think the key to a great romcom is to not fight against the genre. The trend more recently has been to apologise or be snarky, so it's an anti-romcom. Just lean in and embrace the fact it's a love story, and it's funny, and it's light. It can still be uber-smart and deal with zeitgeist issues.
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It was in the Papal States that I studied the Roman Question. I traveled over every part of the country; I conversed with men of all opinions, examined things very closely, and collected my information on the spot.
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I listened to it last night for the first time since we started this project. I went out to my car and put it in and went to an empty parking lot and just listened and read the little pamphlet that came with it. After two or three songs I burst into tears.
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'Caught' is a novel of forgiveness, and the past and the present - who should be and who shouldn't be forgiven. None of my books are ever just about thrills, or it won't work.
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I need talk more, call people out. It's not who I am, but I feel I need to do this more to bring more attention for me.
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I never met a woman I didn't like. I love 'em all, in their different ways.
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I want to be able to do work where I think it's very forward, but I also want it to exist in a big way and have an effect on a lot of people.
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I don't eat any red meat.
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A will finds a way.
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I've always considered myself to look like a rather plain-and-exhausted bluestocking, so it's rather odd to read Tweets commenting on my appearance.
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I first learned the power of trust in the CIA. There is no question that when I joined the Agency as a covert operations officer, it was still run along the 'old boys' network' model.
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I think that souls agree to come in and do what they're going to do and then leave when they're going to leave. So there's nothing tragic when a soul leaves. I think it was already preordained.
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I want to let fans know how much I appreciate them and how much I appreciate them showing interest in our music and me personally.
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My mom told me if I ever got a tattoo, she was going to take it off with a potato peeler.
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When you take of a man's time, you've taken a part of his life.
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To be an artist, you don't have to compose music or paint or be in the movies or write books. It's just a way of living. It has to do with paying attention, remembering, filtering what you see and answering back, participating in life.
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When I wrote The Virgin Suicides, I gave myself very strict rules about the narrative voice: the boys would only be able to report what they had seen or found or what had been told to them.
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I can't think about whether I'll disappoint Sonic Youth fans. It's not like I want people to be disappointed, but I just can't control that.
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It's really hard to scare people on network television. You've got to be smart about it. You've got to parcel out the scares.
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I find a way to convince people to come along with me. They want to be persuaded. When I sit in a room with you I'm going to sell you something whether you want it or not. At the end you'll say: 'I'm glad I bought that.'
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You usually get a script and you tell people what the story's about, and they have no idea what's going on. Whereas with an adaptation, you come into it, and it seems like everyone you talk to has a million opinions on the cast and the way the story should be told.
