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You can always tell when an actor has grown a 'rhino skin' to protect themselves. It comes across on screen, and they aren't believable. They're dead in the eyes because they've been told a million times that they're the greatest actor that ever lived. If you don't realise what's happening, and get your feet back on the ground, it can be the worst thing that ever happens to you.
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The people I look up to the most - politicians, actors, artists - are the people who manage to do a high-powered job while staying themselves. They aren't afraid to be nice.
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Censorship makes me really angry. I even hate it when people censor themselves.
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In general, I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I'm talking to.
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You can always veer off the path, that's one thing that has really comforted me over the past year. When you think, 'I can't do something because of this, this and this,' you can actually do anything you want. I could go ballistic right now and tear this whole room apart. I could. I'm not going to, because logic is stopping me, but you can do whatever you want. You really can veer off any path at any time - never give up.
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I can't help moving my face - reacting - when I watch a movie, because I'm really inhabiting a character. I know this is weird, but it demonstrates what I love about cinema: it allows you to live a different life, to have a different experience, to disappear for two hours. I think it's wonderful.
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There are so many different areas to explore. There are so many different types of people. It can crush your dreams or help them come true.
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Chemistry is like an indefinable thing. When it comes to people playing your best friend or your parents or anything like that, there's always different kind of element to chemistry.
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My great goal in life is to try to remember that everything is of equal value.
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I try not to look at stories on the Internet because I don't want to psych myself out. I kinda half to stay off the Internet. I'm not thick-skinned enough. I get too sensitive. I don't want it to effect what I'm doing.
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I've never played someone where I felt it was beneficial to build from the outside in.
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There are some things that have to wait and that can't just happen right now.
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I find more and more, as time goes on, these people I meet, they are starting to become these people I look up to more and more. Like Julianne Moore, also, on Crazy Stupid Love: kids, husband, priorities straight. Or Woody Harrelson's like that. Those are the people I really admire, and that's success to me: being able to balance that life and not buy into it. And do the work that you want to do and makes you happy, because you're lucky enough to do it. But if I never got a role again, I've got this incredible life.
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Between work and your kids and your spouse or whatever situation you have in your life. I think balancing all of that seems to be a huge situation.
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I think Skeeter even says that when she calls up Miss Stein. "No one asked Mammy how she feels in Gone With The Wind." Mammy wasn't really much of a fleshed-out character. She was just kind of there to take care of Miss Scarlett.
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Sometimes I can't tell that someone is a selective asshole because they're so nice to me and the people around me that I don't realize it until someone else says, "You know, that person is an asshole." So I'll be fooled by selective assholes sometimes . . . lately.
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My absolute favorite kind of people in the world are people that are passionate about something.
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For me, the political part of being an actor is very tough. To sit somewhere and tell somebody why you should feel this way or that way about my character does not feel like my responsibility. It feels like the responsibility of the writer and the person who created it.
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When I feel something in my gut, I can feel it physically. But my instincts seem to come from a different place - they feel headier to me, and I get the wrong scent, and go off on these whims where I think that something is happening when it's not.
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I have dreams of being a producer, being behind a camera, eating seven tacos for every meal, and making movies that affect people the way they affect me. I don't even need to be in them.
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Gambles are the most fun because it's part of being an actor or being a creative person. It's risky only in the vulnerable sense. And then outside of that, no one gets too hurt by it.
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Often, joking for me is a way of diffusing the awkwardness of a situation, so it's kind of exhilarating to be a part of projects where there's nothing funny or lighthearted.
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I could never be Charlie Chaplin. But the films that were made by people like him, or Gene Wilder, or John Candy, the people that inspired me so much were the people that were able to combine humor with heartbreak so beautifully and fluidly. Those films I think were what inspired me to want to come to L.A. and audition for movies.
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I wouldn't consider myself a so-called 'celebrity.' Arrrgh, for the love of God!