Vik Muniz Quotes
I was born in Brazil and grew up in the '70s under a climate of political distress, and I was forced to learn to communicate in a very specific way - in a sort of a semiotic black market. You couldn't really say what you wanted to say; you had to invent ways of doing it. You didn't trust information very much.
Quotes to Explore
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We are skinny; this is our work. There are lots of overweight people working in offices, but I'm not going to say, 'This girl is fat; she can't work in an office.'
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For someone with a background of economic justice, what scared me about climate change is not just that the sea level will rise and we'll have more storms - it's how this intersects with that cocktail of inequality and racism.
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I really think it is possible to make a very nice living by writing and not worrying about anything else.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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If you write a novel alone you sit and you weave a little narrative. And it's O.K., but it's of no account.
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Just be honest with yourself. That opens the door.
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Corruption, the greatest single bane of our society today.
Olusegun Obasanjo -
You have your identity when you find out, not what you can keep your mind on, but what you can't keep your mind off.
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Auditions make me nervous; any time I have to perform, I get stage fright.
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I don't putt face-on exclusively, but in the back on my mind I'm haunted by the notion that I'm sure it's the best way to putt.
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So if Arizona sees the federal government isn't assuming its responsibilities, it creates local laws. But migration and keeping security on the borders is not a local or state issue, it's a federal issue.
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Sometimes the only way you can feel good about yourself is by making someone else look bad. And I'm tired of making other people feel good about themselves.
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My music is based on melody and when I play the piano, it's as if I'm singing with them. When you try to transform that into a vocal, there was very little adjustment.
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There will be mental worries with the long jump before Rio, but I know I can get through it. It's just getting my confidence back. I know I have a big jump in me.
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I don't believe I could work as effectively at what I do without the support of my wife.
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I get a lot of disbelief that my accent could actually be real, which seems strange.
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I think it's certainly natural to try new things as you grow up and get older!
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What's so brave about being bald? I've not fought for my country or found the cure for cancer - I've just gone out without my hat on!
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Older boys were allowed to beat younger ones at my 15th-century English boarding school, and every boy had to run a five-mile annual steeplechase through the sludge and rain of an October day, as horses do. We wrote poems in dead languages and recited the Lord's Prayer in Latin every Sunday night.
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When it comes to work, there is a fear factor around meritocracy. People are afraid of being openly judged. However, when you know what you are being measured against, it's empowering.
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Well the way I ended up with my own record is that I did this concert at Wesleyan University. It was just one night and we had no thought of making a record.
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When I was growing up, my family was serious about manners. I always wanted to put my elbow on the table to prop my head up. I didn't understand how other people looked awake. My head felt so heavy after the whole day.
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Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous.
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I was born in Brazil and grew up in the '70s under a climate of political distress, and I was forced to learn to communicate in a very specific way - in a sort of a semiotic black market. You couldn't really say what you wanted to say; you had to invent ways of doing it. You didn't trust information very much.
