Vik Muniz Quotes
I was born in Brazil and grew up in the '70s under a climate of political distress, and I was forced to learn to communicate in a very specific way - in a sort of a semiotic black market. You couldn't really say what you wanted to say; you had to invent ways of doing it. You didn't trust information very much.
Quotes to Explore
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We are skinny; this is our work. There are lots of overweight people working in offices, but I'm not going to say, 'This girl is fat; she can't work in an office.'
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For someone with a background of economic justice, what scared me about climate change is not just that the sea level will rise and we'll have more storms - it's how this intersects with that cocktail of inequality and racism.
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I really think it is possible to make a very nice living by writing and not worrying about anything else.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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If you write a novel alone you sit and you weave a little narrative. And it's O.K., but it's of no account.
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Just be honest with yourself. That opens the door.
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Corruption, the greatest single bane of our society today.
Olusegun Obasanjo -
You have your identity when you find out, not what you can keep your mind on, but what you can't keep your mind off.
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Auditions make me nervous; any time I have to perform, I get stage fright.
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I don't putt face-on exclusively, but in the back on my mind I'm haunted by the notion that I'm sure it's the best way to putt.
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So if Arizona sees the federal government isn't assuming its responsibilities, it creates local laws. But migration and keeping security on the borders is not a local or state issue, it's a federal issue.
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Sometimes the only way you can feel good about yourself is by making someone else look bad. And I'm tired of making other people feel good about themselves.
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My music is based on melody and when I play the piano, it's as if I'm singing with them. When you try to transform that into a vocal, there was very little adjustment.
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There will be mental worries with the long jump before Rio, but I know I can get through it. It's just getting my confidence back. I know I have a big jump in me.
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I don't believe I could work as effectively at what I do without the support of my wife.
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I get a lot of disbelief that my accent could actually be real, which seems strange.
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I think it's certainly natural to try new things as you grow up and get older!
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I sort of mind living in a time when most of the literature is terribly personal. I suppose it's because I grew up on a love of history, philosophy, science and religion, but not to think too much about yourself.
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I was in Paris, Milan and London from '89 until '91, and I did mostly runway modeling. I know there's so many people out there looking for pictures, but this was way before the age of the Internet, sorry!
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Everyone has ideas. They may be too busy or lack the confidence or technical ability to carry them out. But I want to carry them out. It is a matter of getting up and doing it.
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When you make a film, it's because it's important to you, it means something to you.
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You cannot contribute anything to the ideal condition of mind and heart known as Brotherhood, however much you preach, posture, or agree, unless you live it.
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I got my first laptop, what I learned to do everything on, when I was 17 or 18, and I had no idea what I was doing. I'd only ever produced on an 8-track before. When I was about 13 and writing songs, I would write on that. It would literally be eight tracks, and that's all I had.
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I was born in Brazil and grew up in the '70s under a climate of political distress, and I was forced to learn to communicate in a very specific way - in a sort of a semiotic black market. You couldn't really say what you wanted to say; you had to invent ways of doing it. You didn't trust information very much.
