Dennis Prager Quotes
Since the 1970s, I have asked students if they would first try to save their drowning dog or a drowning stranger. And for 40 years I have received the same results: One third vote for their dog, one third for the stranger, and one third don't know what they would do.

Quotes to Explore
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I'm encouraging other people, whether they're professionals or not, to use their creativity to express themselves, to get a conversation going, to get the party started, really.
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I just enjoy life now. I just enjoy every morning I get to wake up.
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Most of the tasks we do are for humans. For example, a tax calculation is counting numbers so the government can pull money out from my wallet, but government consists of humans.
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Rejuvenation of younger players should be the job of the Indonesian Badminton Association. But local competitions will help identify new talent.
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Preaching is the expression of the moral sentiment in application to the duties of life.
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Around 2005, the Canadian army tapped me to do a dramatization for a series of foresight workshops they'd done. They had stacks of papers and needed it boiled down to something simple enough for a 4-star general to understand. We decided to do it as a story. That's how I created 'Crisis in Zefra.'
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First drafts are never any good - at least, mine aren't.
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What have we achieved since the end of the Second World War? We have allowed petty, bourgeois regimes in which everything is average, mediocre.
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I've found that you don't need to wear a necktie if you can hit.
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I can't sit back and swallow stuff. I live in a time and place, and in a country on earth where you're not supposed to swallow it. People just gave up.
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I'm involved in issues, and issues are about grass-roots politics.
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For me, soccer was a dance.
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We all wanted to copy Vivien Leigh.
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When I went to lobby Nelson Mandela while the post-apartheid constitution was being drafted, I asked him to endorse making it illegal to discriminate on grounds of sexuality. I'd been warned that he might giggle if I mentioned homosexuality.
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The secret to a long-lasting relationship is perpetually imagining the worst. It's a world view tracing back to my Eastern European ancestry and one I draw upon regularly.
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I don't have parts of my body that I hate or would like to trade for somebody else's or wish I could surgically adjust into some fantasy version of what they are.
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That first play I did in New York, Rogelio Martinez's 'When It's Cocktail Time in Cuba,' I played a young Fidel Castro.
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I think people have to sharpen their eyes and look. I always feel like a big sponge: I feel like I learn lots of things by osmosis, and I feel that I'm always absorbing. I mean, when people say, 'What is your inspiration?' I could throw up. I mean, I'm inspired by the fact I get up in the morning. And I'm still here.
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It is not true that suffering ennobles the character; happiness does that sometimes, but suffering for the most part, makes men petty and vindictive.
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I think my fans would probably be surprised to know I'm not insane - I'm not a crazy person in real life. I'm a pretty low-key dude. I like chilling at home and playing with my dog.
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Animals are a continuous source of inspiration and wonder to me. I would love to play a dog.
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A boy can be two, three, four potential people, but a man is only one. He murders the others.
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I definitely think my work comes from things that I liked as a kid, and things I still like now. Monsters and magic and museums and movies, a lot of things that start with 'M' for some reason.
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Since the 1970s, I have asked students if they would first try to save their drowning dog or a drowning stranger. And for 40 years I have received the same results: One third vote for their dog, one third for the stranger, and one third don't know what they would do.