Nelson Algren Quotes
I always think of writing as a physical thing. I'm not trying to generalize, it just happens to be that way with me.
Quotes to Explore
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It's often discouraging sitting working at home, wondering whether to put the heating on, answering the doorbell to the gas board, feeling it's all utterly pointless.
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The difference between a violin and a viola is that a viola burns longer.
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I still have a fear of theater. I don't know if I will manage that. I used to do it. I developed a bit of a phobia. It's not a real phobia. I can go in and watch.
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I don't really love to perform in music. Some people like it more, but it's not my thing so much, but just the writing, when you get the lyric, and the lyric just goes just the right way, or you find the right bridge that takes you to the solo, and those moments are tremendous, and it's difficult to portray.
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I learned so much in Zimbabwe, in particular about the need for humility in our ambition to extend mental health care in countries where there were very few psychiatrists and where the local culture harboured very different views about mental illness and healing. These experiences have profoundly influenced my thinking.
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These 'Sports Illustrated' people, they know how to hold a secret.
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Perhaps I'm particularly serious, because I'm not unaware of the potential absurdity of what I'm doing.
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I live with my family. I moved to L.A. eight years ago, and it's the same room. But I'm looking now. I might get a condo.
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Banks are concerned the central bank is imposing too many regulations. If the trend continues, we'll swing to heavy regulation. We need to have balanced regulation to encourage the economy.
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Who am I, if I'm not this singer with big high notes? I identify with my voice. But I'm more than just the acrobatics.
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I'm not religious, I'm not romantic and I live purely by logic. I make every decision by logic and sometimes that leads me to the right and sometimes to the wrong decision.
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Men are sort of doofuses about sunscreen, and for the most part, women are more inclined to take better care of themselves, but a reminder is always good for everyone.
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Color is a matter of taste and of sensitivity.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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When Scorsese or Coppola cast celebrities in their work, it goes without question.
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You can crush any woman by suggesting that she's fat, not even saying the word 'fat' but just suggesting she's fat.
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Transferring our sovereignty and decisionmaking power to the WTO, to the United Nations, or any other international body is not in the long-term interests of our people.
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The 'ideal' body is everywhere you look, and we are made to feel like failures by advertisers and corporations who shame us into buying their products.
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I've loved musicals ever since I saw 'The Lion King' on Broadway.
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The Yale group was doing the Harold. So by our senior year we were trying to do the Harold. Again, we had no idea what we were doing. We had one guy in the group who was pretty experimental; he would kind of push us to do weird things. It was really fun, a great experience.
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16 Every program has (at least) two purposes: the one for which it was written and another for which it wasn't.
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Some people hate lime-green; red has all this emotional baggage. Blue seems to be overall one of the more positive colors, and a little more serious than yellow.
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We're also irreverent, we have an irreverent attitude towards puppets, as well. So a lot of what we do is we're kind of making fun of the puppets for being puppets, even while we're doing it. And again, that all feeds into the absurdity of this show.
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I always think of writing as a physical thing. I'm not trying to generalize, it just happens to be that way with me.
