Diego Klattenhoff Quotes
Quotes to Explore
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A successful film is a good film, and a non-successful film is a bad film. It's as simple as that.
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I will do today what others won't so I can do tomorrow what others can't.
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My grandfather arrived in Houston in 1942 as a refugee from Nazi Germany. He had lost everything - his profession, his language, his money - but the city welcomed him, as it has hundreds of thousands of immigrants over the years.
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I have always believed that one should not be scared of losing, I think that really is the key.
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The kind of classic pose of a female model is to look kind of sexy and a bit annoyed.
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While teaching, I also worked undercover in the lower courts by saying I was a young law teacher wanting experience in criminal law. The judges were happy to assist me but what I learned was how corrupt the lower courts were. Judges were accepting money right in the courtroom.
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After being nearly eradicated from the lower 48 states by the 1960s, bald eagles were re-introduced to the Adirondacks in the 1980s, and I'm proud to report the view from my home indicates they are flourishing in upstate New York.
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I suppose anybody just losing it and sputtering curses is pretty funny. But I think it would be more of a challenge, much more of a challenge, to make a cursing dad funny.
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Ulysses, obviously. It was an elaborate prank, and our supposed intellectual elite continue to fall for it.
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I was not emotionally mature enough to accept any kind of success when I was young. I needed to go that long route.
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Every diminution of the liberty of the press is followed by a diminution of civilization. Wherever we see the freedom of the press interfered with, there we see the nutrition of the human family interrupted.
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In Hinduism, Shiva is a deity who represents transformation. Through destruction and restoration, Shiva reminds us that endings are beginnings, and that our world is constantly undergoing a cycle of birth, death and rebirth.
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When you make as many speeches and you talk as much as I do and you get away from the text, it's always a possibility to get a few words tangled here and there.
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I grew fond of acting rather late. And that was because I was not getting any job. I had a few friends in Delhi who were associated with theater. They took me to see some plays in Delhi and Baroda. That led me to believe the I could also act. And it was after that I joined National School of Drama in 1993.
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I don't talk about political matters. That's not my department.
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Emotions should be real; one shouldn't come across as acting.
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There are a lot of possibilities I'm looking at for the future, but I'm very insistent on not limiting myself.
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We provide business advice and guidance. We started it here in India first, and now we have taken it globally. India was the first for startup incubation in the world for us.
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If you can laugh with somebody and relate to somebody, it becomes harder to dehumanize them. I think that most of what we are constantly bombarded with in terms of media leads you to a creation of 'the Other' and a dehumanization of 'the Other,' and it's very much an us-versus-them conversation.
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When I'm on a picture, I have two bosses - the director and the producer. My co-star is not my boss.
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My first role was in the George Gershwin musical 'Crazy for You' at the Orlando Repertory Theatre when I was 11 - I grew up in Florida - and I wasn't old enough to be in it, but they let me anyway. I was just this little shrimp in a leotard.
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Don’t buy into the idea that women aren’t strong enough to do anything they want on their own.
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My mother persuaded me not to pluck my eyebrows when I was a teenager - right now I'm so grateful I never did! She also taught me to pour 2 kg. of salt in my bath whenever I feel swollen and tired - and to end it with a cold shower. It does wonders.
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I'm going for that Mark Wahlberg look. Strong and confident.
