Nelson DeMille Quotes
The world has gotten smaller and more accessible since I first started writing in the 70's.
Quotes to Explore
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I think I've had the longest career of strength, focus, and still being able to sell records. I think I'm that guy. I'm still blessed with the opportunity to make music and pass out a message like, 'Life is good,' to the world.
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Readers want to have the confidence that you understand the era in which the book is set, so for 'The Perfumer's Secret,' I needed to know everything about the First World War from a French perspective. I had to understand those people and that town in 1914.
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Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.
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I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
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A writer's job is to give the reader a larger vision of the world.
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I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot of times, I'm wrong, but it's always the hope.
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We must eliminate all nuclear weapons in order to eliminate the grave risk they pose to our world. This will require persistent efforts by all countries and peoples. A nuclear war would affect everyone, and all have a stake in preventing this nightmare.
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I think fractures in your childhood make you observe the world more as an outsider. Possibly it pushes you outside.
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My films are about ideals that clash with the world. Every time it's a man in the lead, they have forgotten about the ideals. And every time it's a woman in the lead, they take the ideals all the way.
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When you're in a fighter jet and there's a dark layer of clouds with just one blue hole with the sun going through it, you shoot for that hole. You go vertical into the light, and suddenly, instead of gray and dark, it's light and blue. You are totally connected with the elements. You are in another world.
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It's a crazy world, so sports and athletics and music can be a form of escapism.
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There is nothing in the world, I venture to say, that would so effectively help one to survive even the worst conditions as the knowledge that there is a meaning in one's life.
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However far fiction writers stray from their own lives and experiences - and I stray pretty far from mine - I think, ultimately, that we may be writing what we need to write in some way, albeit unconsciously.
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I was frustrated for a long time with my colleagues in the business school world and with so many management authors who didn't really see themselves as innovators. They were glorified journalists.
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Every burned book enlightens the world.
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To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.
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I had an incredibly full life with my imagination: I used to have all sorts of trolls and things; I had a wonderful world around my toys and invented people. I don't mean I had imaginary friends; I just had this big imagination thing going on. I didn't need any imaginary friends, because I had so much other stuff going on.
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I'm really aware of the conversations that surround young actresses in Hollywood. I always get myself into a hole with these conversations, and I get weirdly quoted, and I sound militant and like I'm not thankful at all, and I'm so thankful of everything that's happening. But I'm an active observer of the machinations of this world.
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I feel we need to remind the world about the Apollo missions and that we can still do impossible things.
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It's hard to explain how much one can love writing. If people knew how happy it can make you, we would all be writing all the time. It's the greatest secret of the world.
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My parents did not encourage romances.
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As fathers, we all have great lessons to teach our children.
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I think a lot of my interest in history now isn't so much in places and names and texts and public figures, but more in examining all the nuances and idiosyncrasies of particular stories of everyday people. And if that doesn't happen, then I usually transplant myself and my own stories to a particular historical event. Which is why you'll see me, the first person pronoun, interacting in a song about Carl Sandburg, or you'll find my [sic] interacting with Saul Bellow. It's sort of a re-rendering of history and making it my own.
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The world has gotten smaller and more accessible since I first started writing in the 70's.
