Dinaw Mengestu Quotes
Obviously, in marketing, the best tool is to show the autobiography in fiction. It's inevitable how that happens, but it's generic. Say I've written a story where my sister dies. 'Well, did your sister die?' No, she did not. But people use those straws to grasp at the difference between reality and fiction.

Quotes to Explore
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I have cravings all the time, even when I'm not pregnant.
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I really like using the softening cream. It helps me go out there with confidence to do what I need to do, and at the same time, it's very functional and helps keep the hair out of my mouth so I can focus on pitching.
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The Strauss Group identified water as a strategic category presenting significant business opportunity in line with the Group's long term business strategy and vision. We view the development of a technology that enables high quality drinking water for both home and offices as a means to improve the quality of life of millions of people.
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Comedy, we may say, is society protecting itself - with a smile.
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If past history was all there was to the game, the richest people would be librarians.
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I love work where I can find out more about the world and its history.
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You can't create a monster, then whine when it stomps on a few buildings.
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I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
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It's really bizarre because no one knows this, but elephants have killed more animal trainers than any other animal.
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One of the exciting things about reporting is going to places you've never been to before.
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I was surrounded by sisters. My childhood was all women.
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Bullfights have so much color. Not just the matador but also the bull, the arena, and the public. It's all very festive.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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If 'Deadwood' had gone on another two years, I wouldn't have got as many movies made.
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You can't beat a Diane Von Fostenburg wrap dress; I always tend to go for the wrap dresses with a little more structure. I also love Prada shoes.
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I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.
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The cool thing about working and meeting a lot of people through your acting is that you never know who you might work with, in the future.
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I have been back in Paris for two weeks. Nothing new. Life is still bitter.
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Do we really need to arm our citizens with machine guns or semiautomatic weapons? And don't we need to make sure that people who do own guns are qualified to own them?
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As far as I'm concerned, collaboration is the essence of life. It's wonderful to be able to have talents, and, very often, we think that we know what our talents are, or we find out through a back door that we have a talent. I know that I found out I was a lyricist quite through a back door.
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People say my music is English. I don't know what it is. Maybe it's not me writing English music, but that English music is becoming more like me.
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Romantics value intensity over stability. Realists value security over passion. But both are often disappointed, for few people can live happily at either extreme.
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Obviously, in marketing, the best tool is to show the autobiography in fiction. It's inevitable how that happens, but it's generic. Say I've written a story where my sister dies. 'Well, did your sister die?' No, she did not. But people use those straws to grasp at the difference between reality and fiction.