Dinaw Mengestu Quotes
Obviously, in marketing, the best tool is to show the autobiography in fiction. It's inevitable how that happens, but it's generic. Say I've written a story where my sister dies. 'Well, did your sister die?' No, she did not. But people use those straws to grasp at the difference between reality and fiction.

Quotes to Explore
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I have cravings all the time, even when I'm not pregnant.
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I really like using the softening cream. It helps me go out there with confidence to do what I need to do, and at the same time, it's very functional and helps keep the hair out of my mouth so I can focus on pitching.
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The Strauss Group identified water as a strategic category presenting significant business opportunity in line with the Group's long term business strategy and vision. We view the development of a technology that enables high quality drinking water for both home and offices as a means to improve the quality of life of millions of people.
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Comedy, we may say, is society protecting itself - with a smile.
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If past history was all there was to the game, the richest people would be librarians.
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I love work where I can find out more about the world and its history.
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You can't create a monster, then whine when it stomps on a few buildings.
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I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
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It's really bizarre because no one knows this, but elephants have killed more animal trainers than any other animal.
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One of the exciting things about reporting is going to places you've never been to before.
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I was surrounded by sisters. My childhood was all women.
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Bullfights have so much color. Not just the matador but also the bull, the arena, and the public. It's all very festive.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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If 'Deadwood' had gone on another two years, I wouldn't have got as many movies made.
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You can't beat a Diane Von Fostenburg wrap dress; I always tend to go for the wrap dresses with a little more structure. I also love Prada shoes.
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I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.
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The cool thing about working and meeting a lot of people through your acting is that you never know who you might work with, in the future.
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I have been back in Paris for two weeks. Nothing new. Life is still bitter.
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The Tin Woodman knew very well he had no heart, and therefore he took great care never to be cruel or unkind to anything. 'You people with hearts,' he said, 'have something to guide you, and need never do wrong; but I have no heart, and so I must be very careful. When Oz gives me a heart of course I needn't mind so much.'
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Follow a shadow, it still flies you; Seem to fly it, it will pursue: So court a mistress, she denies you; Let her alone, she will court you.
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I like the idea of sitting in a theater with a bunch of people. With technology now, people are getting more and more isolated. I like the community coming around the story. You don't have that with a DVD. People go home, they're tired from work, they can turn it off. It doesn't make you commit the same way, if you can control the movie. More difficult movies, it's too easy to turn them off. All the time, I see movies I know if I had seen it on DVD, I wouldn't have hung with it. If you see it on the screen, you hang with it and it pays off better than a movie you can easily sit through on DVD.
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After graduating in engineering I went to the University of Kansas to get an MA in economics as a vehicle for allowing me to decide if I wanted to continue in economics.
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The truth is when you have a movie that was as successful as 'Chronicle' was, it's not as quick of a process. There are a lot more voices coming in and saying 'This is what the sequel should be' because there's a bigger expectation and a bigger fear of failure. And that's really what's going on with 'Chronicle 2.'
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Obviously, in marketing, the best tool is to show the autobiography in fiction. It's inevitable how that happens, but it's generic. Say I've written a story where my sister dies. 'Well, did your sister die?' No, she did not. But people use those straws to grasp at the difference between reality and fiction.