Freddie Freeman Quotes
Quotes to Explore
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In America, as opposed to the old country, success was based on merit.
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We deem those happy who from the experience of life have learnt to bear its ills without being overcome by them.
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English people are famous for never speaking out but only saying what they really feel about you behind your back. Americans believe the shortest distance between two points is a straight line. I like exploring those, er, differences in national snippiness.
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Hip Nip just sounds groovy. A drummer laid it on me.
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If you have debt, you have to worry about it. I would challenge each of you to try to be debt-free.
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I love Wiz Khalifa.
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You don't realize how much you use your credit card not even to buy things. It's a card you get so you can navigate society.
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For an actor, you're rejected eight or ten times a day. All you've got to sell is yourself. You're not selling products, they're not turning down a car, they're turning you down. Most people can't handle that. Most people are essentially not set up that way.
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It's true, you never forget your first love, and, for me, that will always be Paris.
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The government must adopt a rights-based approach that speaks to the needs and aspirations of surrogate mothers, children born out of surrogacy, and all individuals who want access to altruistic surrogacy services.
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I think it's absolutely about time that we have as many female leads as male. It's a very exciting time to be an actress.
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There is something addictive in space that makes you want to go back - like the mountain climbers who want to go back to the Himalayas although their fingers were cut by frostbite.
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I enjoy 'The Apprentice' and the one that's called 'Take My Life' and the other one called 'Stop Hitting Me.'
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If you love your work, you'll be out there every day trying to do it the best you possibly can, and pretty soon everybody around will catch the passion from you - like a fever.
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The role of an actor is to make every character believable.
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For us there's U2 music, and then there's everything else.
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I am one of those unhappy persons who inspire bores to the greatest flights of art.
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There is not a single indication in man's wonderful mechanism that he was created for a life of poverty. There is something larger and grander for him in the divine plan than perpetual slavery to the bread-winning problem.
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My fault has been honesty and I've been sentenced to a lifetime of independent movies, and that's it. That's how it feels right now.
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I wanted to write in Kitchenese, the secret language of cooks, instantly recognizable to anyone who has ever dunked french fries for a summer job or suffered under the despotic rule of a tyrannical chef or boobish owner.
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At the United Nations, a lynch mob for Israel is always just a moment away.
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Musically, I try not to box things in. I try to just play around this spectrum of influences: soul, jazz, and hip-hop.
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I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out. The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident.
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I'm one of those guys who loses weight during the season.
