Psy (Park Jae-sang) Quotes
Quotes to Explore
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I believe in the Prince of Peace. I believe that War is Murder. I believe that armies and navies are at bottom the tinsel and braggadocio of oppression and wrong, and I believe that the wicked conquest of weaker and darker nations by nations whiter and stronger but foreshadows the death of that strength.
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I was never one to sit down and write a plan for my future.
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The American dream always meant that anybody willing to put in a hard day's work could make a decent living. That's just not true anymore for people without at least some post-high school education.
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Ireland is such a young society. The British were the ruling class up until they left about a hundred years ago, and we've been trying to work out what our class hierarchy is ever since.
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A dinner invitation, once accepted, is a sacred obligation. If you die before the dinner takes place, your executor must attend.
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I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.
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Maybe it's a little depressing to think that my vision of a perfect world is actually so messed up, but I think it means that I don't really understand what 'perfect' is.
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I think all of us are thankful every day we get to put this uniform on, and we play this game. So try not to take any days for granted. Every time you take the field, give a hundred percent and leave it all out there.
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I was quite good at football once, although other than that my speciality would be maths. I'm great at sudokus and find all the spin-off games pretty easy too.
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You make your mistakes to learn how to get to the good stuff.
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If I can sleep in until 9 A.M. - wow, what a luxury.
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Whenever I read a script, I start recasting the role that I might play. I'm like, 'God, this should be played by Domhnall Gleeson, not me.'
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When I was seventeen, I worked as a counsellor at a co-ed sleep-away camp for eight weeks. I loved it but it could be harrowing - it was far too much responsibility for someone my age.
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Mike Schur knows exactly what everything should look like but, at the same time, is super collaborative and loves working with actors that make choices and bring stuff to the table.
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That's the mantra I use when the team tells me something is too complicated. People keep saying, 'We need more prioritization.' I say, 'Guys, what you want is less work. And that is not going to happen.'
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When my father was arrested, we didn't know where they had him. My mother found him at the house of torture. It was called Villa Triste.
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I don't get hung up on weight.
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What's important is to be able to see yourself, I think, as having commonality with other people and not determine, because of your good luck, that everybody is less significant, less interesting, less important than you are.
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People often ask me, 'How do you go about choosing who to feature on Into The Gloss?' And I've never had a great answer. Ultimately, I think the #1 thing that draws me to someone is their sense of freedom.
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Men who pay their tailors never amount to anything, they never even become Cabinet ministers.
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Low light demanded 'fast' film, usually ISO 400 or higher; the fastest available would be about ISO 1000. When the sun was bright, you would reach for ISO 64 to avoid the burned-out look of overexposure.
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I think in English history a very interesting character is John Lilburne. Very interesting character because of the way he managed to develop the whole debate about the English civil war into something very different.
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I like the word 'artist,' but I don't like the word 'artist' inside my house.
