Sam Hunt Quotes
It took me a couple years to get over the stereotype I was letting myself get caught up on, being a football player trying to start a career in music.
Quotes to Explore
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I am the daughter of the Chairman of the Board and thus, was raised with great music.
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As a songwriter, pop music really is a love and a joy and a science, and I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural.
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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A mother's arms are made of tenderness and children sleep soundly in them.
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People think that celebs make a lot more money than we do. We look for bargains and we do a lot of stuff on our own.
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For psychological purposes the most important differences in conation are those in virtue of which the object is revealed as sensed or perceived or imaged or remembered or thought.
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I liberate minds with my music. That's more important than liberating a few people from apartheid or whatever.
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I would rather be on the set than doing anything.
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Strange, is it not, my brothers, how often in America those great watchwords of human energy - 'Be strong!' 'Know thyself!' 'Hitch your wagon to a star!' - how often these die away into dim whispers when we face these seething millions of black men? And yet do they not belong to them? Are they not their heritage as well as yours?
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I would love to work with Martin Scorsese.
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Everybody sooner or later has to drop the luggage and the baggage of illusions.
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Yoghurt cuts sweetness and richness, tempers spice, and makes a dish sing.
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I run a solid 4-6 miles at a time, and over the last year two years I've gotten really into SoulCycle. It's sort of an evolved form of spinning.
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If we were truly in the studio making a record, it would have been more time consuming, and certainly I would have been more involved in the writing process.
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I've been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too - what I should wear.
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I always thought I should be treated like a star.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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I'd love to play a Bond villain. Yeah, I'd love to play a Bond villain. Everyone always says this to me; they always say, 'You've got to be a Bond villain', 'We're going to make you a Bond villain...' But they've never, ever approached me, I've never had a whiff of it. I think I'd love to play a Bond villain; I'd have great fun.
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It's big production. It's huge. It's using studio technology to your benefit. You don't go in and play live and then just take the tapes and get them mastered. You have to create.
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The Grateful Dead played for three hours on a given night, plus sound check.
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Doing a play, you have a little bit more time, obviously. You rehearse for a month before you get up in front of people. It's a totally different energy. With film, TV, you want to try to capture lightning-in-a-bottle moments. I don't try to rehearse as much with that stuff, because you want those sparks of something to come out, if they do.
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The ravaged face in the mirror hides the enchanting youth that is the real me.
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It took me a couple years to get over the stereotype I was letting myself get caught up on, being a football player trying to start a career in music.
