Fred Willard Quotes
Quotes to Explore
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I love my work but do not know how I write it.
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The measure of a man is not how great his faith is, but how great his love is. We must not let government programs disconnect our souls from each other.
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I started at the top and worked my way down.
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I always knew I would make the record that I made in 'Carter Girl.'
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The great thing about writing is that it has to work without that invisible layer of the reader's added knowledge.
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I was raised looking at women who were strong, and they weren't really into playing race cards or playing gender cards. I didn't grow up around women who were like, 'Well, let the boys do that, and let the girls do that.' I didn't really see that in my house.
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A busybody's work is never done.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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No one ought to be under any illusion that Cheney privately thinks himself a failure.
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It seems that fighting is a game where everybody is the loser.
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I get mad when people call me an action movie star. Indiana Jones is an adventure film, a comic book, a fantasy.
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We shot 'Telusa Telusa' song in Bolivia. It took us 50 hours to get to the location. We shot in high altitudes, and oxygen cylinders were kept handy.
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I have worries and fears just like everybody else. But I have every reason to wake up each morning and be very happy.
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That's what's so great about television. You're able to tell this long story, where you couldn't really do that in a film because you have to tell a story in an hour and a half or two hours.
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I had toured so much in the 1960s and 1970s that I wanted a break. I didn't go back touring until 1995.
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My reading and drawing drew me away from the ordinary interests, and I lived a great deal in the world of imagination, feeding upon any book that fell into my hands. When I had got hold of a really thick book like Hugo's 'Les Miserables,' I was happy and would go off into a corner to devour it.
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All issues are women's issues - and there are several that are just women's business.
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My father was never around, and my mother used to worry that the kids won't grow up to be connected to him.
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I wanted to keep working because work was essentially fantastic - you got to be around people, you got to be in a family, and that family changed from job to job. It was like being in the circus.
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My family, you know, are all still, you know, very close. We're all still very close. Mom and Daddy are still alive. So, what more can you ask for? Your kids are healthy.
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I've kept the people who've been in my career who I feel are my family. Kathy Kennedy had been with me since 1978. Janusz Kaminsky, my cinematographer, has made every movie with me since Schindler's List. Michael Kahn has cut every movie I've directed since 1976 when we made Close Encounters together. Rick Carter has done more than 15 of my directed films as a production designer.
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What I did was, I went and collected every bit of information from Adventist publishing houses in the basic areas of doctrine covered in the book Questions on Doctrine.
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It was never supposed to be a hit. It was supposed to be a Joe Morello drum solo.
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I really enjoy working on 'Modern Family.'
