Fred Willard Quotes
Quotes to Explore
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I love my work but do not know how I write it.
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The measure of a man is not how great his faith is, but how great his love is. We must not let government programs disconnect our souls from each other.
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I started at the top and worked my way down.
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I always knew I would make the record that I made in 'Carter Girl.'
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The great thing about writing is that it has to work without that invisible layer of the reader's added knowledge.
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I was raised looking at women who were strong, and they weren't really into playing race cards or playing gender cards. I didn't grow up around women who were like, 'Well, let the boys do that, and let the girls do that.' I didn't really see that in my house.
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A busybody's work is never done.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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No one ought to be under any illusion that Cheney privately thinks himself a failure.
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It seems that fighting is a game where everybody is the loser.
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Economists want their discipline to be a science, and they have nailed down a few precepts, but many of their debates are still clouded by ideology.
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I get mad when people call me an action movie star. Indiana Jones is an adventure film, a comic book, a fantasy.
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We shot 'Telusa Telusa' song in Bolivia. It took us 50 hours to get to the location. We shot in high altitudes, and oxygen cylinders were kept handy.
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I have worries and fears just like everybody else. But I have every reason to wake up each morning and be very happy.
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That's what's so great about television. You're able to tell this long story, where you couldn't really do that in a film because you have to tell a story in an hour and a half or two hours.
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I had toured so much in the 1960s and 1970s that I wanted a break. I didn't go back touring until 1995.
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My reading and drawing drew me away from the ordinary interests, and I lived a great deal in the world of imagination, feeding upon any book that fell into my hands. When I had got hold of a really thick book like Hugo's 'Les Miserables,' I was happy and would go off into a corner to devour it.
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All issues are women's issues - and there are several that are just women's business.
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I've been able to go on and have a successful career on Broadway and certainly the last five years in Las Vegas have been amazing.
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I'm trying to bring something new to the Tin Man. He may be the one without the heart, but he's the most heartfelt guy there. It's a more manly heartfelt, a 'don't feel sorry for me' - type of heartfelt. I don't want to say tougher, because that just sounds stupid. But the Tin Man is a man's man.
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I'm lucky: almost all my family has lived to be very old. I have one grandfather who lived to be 100.
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I come from the deep countryside. My family was in farming. I was not really exposed to business. Coming from that environment, I just wanted in my life to go overseas - that was a childhood dream because I wanted diversity, contacts, cultural meetings with others.
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He was one of those inexplicable gifts of nature, an artist who leaps over boundaries, changes our nervous systems, creates a new language, transmits new kinds of joy to our startled senses and spirits.
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I really enjoy working on 'Modern Family.'
