Donald Byrd Quotes
I can take any series of numbers and turn it into music, from Bach to bebop, Herbie Hancock to hip-hop.
Quotes to Explore
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When foreign assistance has a clear mission, buy-in from the aid-recipient country, and explicit metrics for implementation, the United States will be able to transition aid-recipient nations into strong trading partners. One of the greatest examples of this successful transition is South Korea.
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It is something where I think that people need to take a step back and realize how bad these things we are doing really are for our ears. But nobody really thinks about it. We're playing shows every night with music in our ears. That's just the industry.
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I never wanted to give up my given name. I'm proud of it, but the only problem was that no one remembered it. It was just a little too awkward, and they mispronounced it so frequently.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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It would make everything I worked for meaningless if baseball is integrated but political parties were segregated.
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Going out at night and having a fabulous social life takes a lot out of you, and I don't know if I have that much to give, honestly. I would rather give that time to my kids or spend that time reading a book or watching a film. I am selfish and lazy.
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If you can live in Vegas, or visit Vegas, and leave in one piece, still loving it and somehow laughing about it, you should spend at least part of your last night in town doing something that will serve you well no matter where you go next: thank your lucky stars.
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When I was young, about 18 or 19, I read all the Dostoyevsky novels, which made me want to go to St. Petersburg. So I went, and I was so inspired.
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Leaders are people who do the right thing; managers are people who do things right.
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God, I can push the grass apart and lay my finger on Thy heart.
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Every time we moved on, I joined a different class in a different school with different girls until, aged 13, my father had taken the decision to pull me out of school altogether. Everything I needed, he reasoned, could be found within the rich language of Shakespeare's plays at which, by then, I was something of an old hand.
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I suppose I am one of those lucky people who eats what they like and doesn't gain too much weight.
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We have a tax code whose complications and levels of unfairness and levels of choosing people to give tax breaks to and choosing people to deny them to is thousands of pages long with endless complications and unbelievable manipulations by everybody.
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I think when I first straightened my hair, I was a teenager. I don't believe that I was consciously doing it to look white or to be on television. It never crossed my mind. All of the girls in my neighborhood got perms and their hair straightened. But I know that historically it was to assimilate and there are some people who do it for that reason.
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I didn't particularly like being objectified.
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I was halfway through a rough draft of 'The Sisters Brothers' when it came time to start the 'Terri' adaptation.
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I'm a really bad liar.
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People ask if I walk around and pinch myself. Yes, I do.
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With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
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Would you like the oldest, most historically significant athletic competition the world has ever known, attracting athletes from every known nation on the face of the planet to come here and perform at the peak of their abilities, in the very city where you live? Most British people go, 'Where will we park?!'
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The theatre is one of those muscles - if you don't exercise it, it becomes a strange and truly fearful place.
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That's my instrument, ... It's been underutilized over recent years.
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I like to piece together different guitarists, unlikely bedfellows. You have Jonny Greenwood playing next to Nile Rodgers on the same track, so it becomes like an orchestra of sounds.
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I can take any series of numbers and turn it into music, from Bach to bebop, Herbie Hancock to hip-hop.
